duskpeterson: An apprentice builds a boat as a man looks on. (Default)
He'd abducted him, bedded him, and taught him every position he knew. So why wasn't the fool grateful?

This is a reissue of an older story.
 

Reader reviews

"My goodness, this story has stayed with me for two days now. I like the simple 'journal' format, that starts off almost lighthearted. . . . But it begins to hit hard fast, and by the end I had a lump in my throat that comes back whenever I think about it." —Glass Houses in a post to an e-mail list, April 2002.

"I adored the tonalities of it. It ranges from greys to very dark shot through with flashes of light. Beautifully done – angsty and edgy and just wonderfully written." —Jedi Clara in a letter to the author, April 2002.

"Delicately done, such that the reader is drawn deeper and deeper in to the situation, just as our unlikely hero is drawn to his destiny." —Smara in a post to an e-mail list, April 2002.

"Witty and ironic and rather sad all at the same time. I loved the way that you drew the developing relationship so lightly." —Lucie at orig_slavefic.

"I once had a literature professor who demonstrated how 'The Great Gatsby' is the perfect novel. Every chapter is carefully constructed; the pacing is perfect. I think this is probably the condensed version of the perfect slavefic. Just wonderful." —Pierrot Dreams at orig_slavefic.


Excerpt

Ended up telling him more than I'd intended, including the tale of how I first joined the tribe. He asked me whether I remembered my family, and I said I didn't; I was much younger than he was when I was captured. I don't even remember the man who first took me. I proved myself worthy of tribal status quickly, though, and I impressed upon the boy that he could do the same if he worked hard enough.

After all this time, I suppose nothing should surprise me about the boy, but it was still a shock to hear the boy say he didn't want to belong to the tribe. He called us "land pirates," which is the kindest name I've ever heard applied to us, but I managed to keep from laughing. Pointed out instead that he had no good alternatives now, and asked him whether he wanted to risk becoming a bed-slave again if I died. That shut him up.

Truly, the boy's the stubbornest person I've ever met. He reminds me of myself when I was young.
 

Available as online fiction: The Fool.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Re-creation

"He could not leave this room without his father's permission. And he could not imagine going to his father and saying, 'Please let me go gather moss so that my slave can have a proper New Year for once.'"

What can you give a slave who, by law, can own nothing? That is the question faced by Peter, the teenage heir to the throne of an empire. Despite his father's desire that the imperial heir maintain a formal distance from servants, Peter finds himself drawn in friendship to the younger boy who serves as his slave.

But a shocking revelation on the eve of the New Year forces Peter to confront his own motives for keeping the slave close by. And that in turn will help him understand the deeper meaning of the gift-giving festival.

This novelette is a holiday tale that can be read on its own or as a side story in The Three Lands, a fantasy series on friendship, romance, and betrayal in times of war and peace.

A 2008 holiday gift story for Dusk Peterson's readers. This is a reissue of an older story.
 

Reader reviews at Amazon

"Wonderfully written. A harsh tale told by the slave to a boy too young to really understand it at first. Over a few days a boy grows up and learns just how unfair his world is." —Gina.

"This novelette was a compelling read. It inspired thought, evoked emotion (sympathy, pity, anger, and ultimately a bit of happiness). . . . The story (for me) showed a glimpse in time when a boy became a man." —Christine Staeven.

"When I started reading, I had no idea where this would go. The prince was very naive. The slave a bit too hardened. But it all became clear and a friendship developed. . . . Such a short tale left me with much to think about." —Lee Phillips.

Full reviews at Amazon.


Excerpt

"Well," said Peter uncertainly, "it looks a bit like a Balance of Judgment."

He glanced over at his new slave-servant to see whether he agreed. Andrew was kneeling on the floor, carefully rolling bits of clay and attaching clay crossbars to them so that they held a vague resemblance to the Sword of Vengeance.

For a moment, Peter thought Andrew would not reply. It was becoming increasingly hard to tell which comments the other boy would reply to. If asked a direct question, Andrew would of course respond; that was part of his training. But slaves were also trained not to speak to free-men unless spoken to, and Peter had not yet figured out a way to convey that he wanted to hold ordinary conversations with his slave.

Could any conversation be ordinary, when the other person had  no choice but to speak if bidden to?

Andrew said, without looking up, "I suppose that we'd need an Arpeshian to tell us."

Peter laughed. "And I don't know any Arpeshians. Do you?"

"A couple. They were young children when your grandfather, the Chara Anthony, suppressed the first rebellion in the dominion of Arpesh."

Peter started to make some light-hearted remark about Andrew being well-versed in Emorian history; then he bit his lip. No doubt all of the inhabitants of the palace slave-quarters were well-versed in the parts of Emorian history that related to wars in which the Emorians had taken slaves. Andrew could almost certainly give a detailed account of the Border Wars between Emor and Koretia.

To cover his chagrin, Peter said, "The Balance is hard enough to make." He gave another doubtful look at the object in his hand, made up of scrap bits of metal joined together by sticky sap. "I don't know how we'll manage to make the Book."

"You needn't worry about that." Andrew reached over to gather a bit of clay, and as he did so, his back came into sight. He was wearing a slave's tunic, of course, which meant his back was bare . . . except for the bandages there. "I know how to make books."

"You do?" Peter asked, surprised. He had turned his eyes away; he still could not stand to look at Andrew's back, even though the bandages hid what Lord Carle had done to him, barely a week before.

If Peter had been beaten nearly to death, he thought he would have spent the next six months moaning in his bed. Instead, Andrew seemed determined to rise from his sickbed. Peter wondered whether Andrew believed that he would be sold back to Lord Carle if he did not immediately show his worth to his new master.

Peter would have as soon impaled himself on the Sword of Judgment as give Andrew back to the master who had ordered an eleven-year-old boy to be beaten so harshly. Lord Carle had meant well, no doubt, but Peter still could not imagine why the council lord had found it necessary to go to such measures. As far as Peter could tell, Andrew was an extremely obedient servant.

Perhaps too much so. Peter looked down once more at the pathetic little object in his hand that purported to be the Balance of Judgment. Judgment weighing vengeance and mercy.

"We've forgotten about the Heart of Mercy," he said suddenly.

"I know how to make that too," Andrew replied, inspecting the tip of the clay sword in his hand.

"You're a wonder," Peter said, setting the lopsided Balance aside and rolling over onto his stomach. They were in his chamber, of course, which meant that the only places to sit were some stiff-backed chairs, the bed, and the floor. Andrew seemed to prefer the floor, though Peter had invited him onto the bed each day since the younger boy became his slave. Peter supposed this was due to some Koretian custom; he resolved inwardly to ask Andrew about that. After all, Peter's ostensible reason for having Andrew as his slave was to familiarize himself with his empire's southern dominion of Koretia. Peter's father – who was legally Andrew's owner – had said that mastering Andrew would help Peter learn how to rule his subjects.

"How did you learn to make crafts?" he asked Andrew.

"From a friend."

Peter waited, but no further details emerged. Finally Peter said, "Was he a craftsman?"

"He was a boy. But he lived with the priests, and they trained him at artisan work, in case he should need such work when he grew up and—" Andrew shut his lips tightly. He bowed his head, as though concentrating all his thoughts on the clay he was flattening with his fingers.

Peter felt then that he deserved the beating Andrew had received. A friend. A boy whom Andrew had known in the Koretian capital. Probably the boy had been enslaved during the final battle there, if not killed outright. And Andrew had been forced to speak of him.

To Peter, Chara To Be, son of the ruler who had conquered Andrew's native land.
 

Available as a FREE DRM-free multiformat e-book (epub, html, mobi/Kindle, pdf, doc) or as online fiction: Re-creation.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for 'The New Boy'

"'We'll be hiring the finest craftsfolk in the city, giving them hours of training to perfect their much-demanded skills and allow them to perform their tasks to the peak of their mastery – and the peak of the satisfaction of those who buy our goods.'"

Running a business seemed a simple enough matter: you learned what the patron wanted, and you forced an employee to satisfy his needs. Then along came the new boy.

Male prostitution has a new face, with an old score to pay: an ex-whore has started a pleasure house, and he has turned all the old rules on their head. Now the centuries-old system of prostitution in the Kingdom of Vovim is in danger of being overturned in favor of a new, gentler way of doing business. But will the young man who is carrying out this revolution be able to keep himself from repeating history?

This novella can be read on its own or as the first story in the "Whipster" volume of Michael's House, a historical fantasy series set in a Progressive Era slum. Male friendship and gay love intertwine in this multicultural series based on life in America during the 1910s, a time when society seemed as stable as ever, though it was about to be turned topsy-turvy.

This is a reissue of an older story.
 

Review

"Tease away the outer layers [of the story], and a whole fascinating world of triumph over tragedy emerges." —Rainbow Reviews.


Excerpt

Michael laid down his crop and sat on the fountain edge, stretching out his long legs and saying, "Nobody warned me that scolding was so great a part of whoremastering."

"It's part of being a teacher," replied Janus.

"You would know. Speaking of which, what is this?" Michael plucked a piece of paper out of his pocket and held it up for inspection. The gold seal upon it glittered in the late afternoon light.

Janus pulled himself upright, staring with disbelief at the paper. "Michael, have you been searching my room?"

"I've been searching all the rooms, to be sure we sealed up every mouse-hole. You should have picked a less obvious place to hide this than under your bed."

"It's nothing."

Michael glanced at the letter. "'Royal tutor.' 'By request of His Majesty, at the recommendation of your uncle.' It certainly sounds like something."

"It's a bribe."

"Of course it's a bribe. It's a handsome bribe. Why aren't you taking it?"

Janus sighed, reached over to pull the letter from Michael's hand, and tore the note into pieces. "Why aren't you still selling yourself, Michael? Even at your age, I'd bargain that men like that patron we met earlier this week would gladly pay for your services."

Michael raised his eyebrows. "That's not the same."

"Of course it's the same. My father, having failed through all other methods to break me away from highly unsuitable company, is offering me the biggest bribe he can produce. The letter doesn't actually say, 'If you take this job, you will never see Michael again,' but you know how unlikely it is that His Majesty and my uncle the prime minister would allow the royal tutor to spend his free evenings visiting the proprietor of a house of prostitution." Janus tossed the letter fragments into the fountain, saying, "I know what riches I value most, Michael, and I'm not prepared to give them up for a royal job."
 

Available as a DRM-free multiformat e-book (epub, html, mobi/Kindle, pdf, doc): The New Boy.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for 'Green Ruin'


I forgot to announce this when I added the link. You can read Green Ruin (The Eternal Dungeon) as part of the free PDF zine Wanderlust: A Travel Anthology, edited by T. Spoon for The Slash Pile. (Green Ruin has both heterosexual and gay content, in case the cover leaves you wondering.) The e-book editions of Green Ruin (HTML, PDF, and Kindle) remain available for $2.99.

The blurb:

"During the dawn hours at the Eternal Dungeon, as the day shift yawned itself awake and the night shift yawned itself to bed, the talk turned, as it always did, to the injustices of being a guard."

Three guards and a mysterious substance provide a temptation too great to be missed . . . especially when two torturers add their skills to the mix. Soon three very different men – a married man who is committed to respect and honor, a bachelor harboring secret desires, and a soldier with an unfulfilled ambition – will find themselves caught in a trap. Their rescue will come from an unexpected quarter.

This darkly humorous short story of friendship and romance can be read on its own or as a side story in The Eternal Dungeon, a historical fantasy series set in a land where the psychologists wield whips.

duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for 'Searching'


"Vito was beginning to wonder whether this dungeon's prisoners were questioned in pitch darkness. That was a matter of some personal concern to him."

Walking into a trap may be the only way to create one.

Danger runs high for Vito when he arrives at the Eternal Dungeon, escorted by guards. In this royal dungeon, prisoners are "searched" for their crimes, by torture and by more subtle means.

Vito knows that he will be searched. But he has his own searching to accomplish, and to do so he must undergo the scrutiny of the queendom's most accomplished torturer.

This novelette (miniature novel) can be read on its own or as the second story in the "Sweet Blood" volume of The Eternal Dungeon, an award-winning historical fantasy series set in a land where the psychologists wield whips.
 


Excerpt

For a prison, it was abnormally quiet.

Vito had lived in prisons for a long while now – over a dozen years, from the time he came of age. He had sampled all three of the city prisons, like a connoisseur sampling wines to test which was the finest. He had even spent time in the provincial prisons outside the queendom's capital.

Never before, though, had he encountered a prison where everyone spoke in whispers, and where business was conducted in the dark.

He looked around, straining to see. The great entry hall of the Eternal Dungeon – impressive both in size and in the fact that most of its walls were made of cave-rock – was virtually night-black. There were lamps scattered upon tables around the edge of the room, but these were all shuttered like lanterns. Guards stood by the tables, exchanging an occasional whisper. The only other sound came from the desk-seated Record-keeper, who studiously scratched away at a piece of paper with his pen, as though working in midnight black suited him.

And it was only four o'clock in the afternoon.

Vito was beginning to wonder whether this dungeon's prisoners were also questioned in pitch darkness. That was a matter of some personal concern to him. But then a stirring shuddered through the room, like wind over a field of corn.

Sounds came from the top of the steps that led to the palace above: a gate being drawn back with a screech, then heavy footsteps upon the cave-rock steps. Ignoring the vigilant escort of the dungeon guards who had brought him this far, Vito sidled his way toward the center of the hall in order to see better the stairway. Everyone else stood motionless. Even the Record-keeper had paused in his work and was now standing behind his desk.

Five men arrived: four were guards, dressed in royal scarlet, with ceremonial swords at their sides. Not the Eternal Dungeon's guards, then – those guards wore grey uniforms, utterly ungaudy. The Queen's guards, making their slow way down the steps, were struggling to hold level a stretcher.

The fifth man, who walked behind the stretcher could not be said to be gaudy either, but his appearance was most striking. He wore no vest and no jacket, and he bore no weapons. His shirt and trousers were raven-black, and covering his head and face was a black hood.

Instinctively, Vito drew to the edge of the room, near the door that led further into the dungeon. The guards who flanked that door flicked a glance at him, then ignored him. His escorts remained oblivious to the fact he had strayed. The procession was coming closer.

All around the entry hall now, guards were bowing their heads and rubbing invisible circles upon their own foreheads with their thumbs. Vito, so newly arrived that he remained dressed for the outdoors, pulled his cap off and bowed his head. The procession had come close enough to him now that he had recognized what lay upon the stretcher: a motionless body, covered from head to foot with grey cloth.

The funeral procession neared the door to the inner dungeon. Vito raised his eyes just in time to catch closer sight of the fifth man in the procession. That man also had his head bowed, and his eyes – barely visible through the eyeholes of his hood – were hardly more than hollow pits in the dim light.

Yet something – perhaps it was merely the combination of straight spine and lowered head – caused Vito to catch his breath.

The door next to him was open now, held back by the younger guard who had been flanking it. The older guard was peering carefully round the entry hall, obviously checking to see that nobody unauthorized was given the chance to slip through the doorway. The procession left the entry hall, the Queen's guards struggling to make their way through the relatively narrow entrance. The hooded man following them did not look up.

Vito had a sudden, wild desire to follow. Instead, as the door slammed shut, he stepped forward and tugged at the sleeve of the older guard, like an impatient child. "Who was that, please? The man behind the funeral procession?"

The guard replied, with careful precision, "That was one of our junior Seekers, Mr. Taylor. Please step away from the door, sir."

Vito did so hastily. He had already seen the younger guard draw his dagger; his escorts had likewise noticed his absence and had pulled their coiled whips from their belts. Vito – who was cursed with a sense of humor that helped him not the least in his work – had the impulse to pull out his hidden revolver and offer to trade with the guards.

But he was saved from acting on this disastrous impulse by the sound of a cough. Looking back toward where he had been standing before, Vito saw the Record-keeper silently gesturing. Further down the wall along which the Record-keeper's desk was placed, a man had appeared in an open doorway. His face was hidden by a black hood, and he stood quite far away in the hall, but Vito somehow knew, without having to see them, that the man's eyes were ice-cold.

Vito drew in a long breath. His mind had travelled beyond the dagger-and-whip-wielding guards nearby. They were unimportant. The true danger in this dungeon stood before him now.

He walked slowly forward for his employment interview with the High Seeker.
 

Available as a DRM-free multiformat e-book (epub, html, mobi/Kindle, pdf, doc): Searching.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for 'Debt Price'


"He kept his gaze cast below the belt. In the chill cell, sweat was beginning to form now on his neck, running down his back and between his bound wrists. 'Lord,' he said softly, 'I would be glad to pay to you my debt in any way I can.'"

No one would pay his debt price to gain him release from prison. So he sought to pay it himself by offering the only thing he could, his body. But one man would require more.

Convicted of helping to wage a campaign of terror against the lords who oppressed the commoners, the prisoner comes to realize the full implications of what he has done. All of his attempts to mend what he has broken will fail until he meets a young lord whose own struggles have just begun.

Set in an imaginary world based on Renaissance Europe, "Debt Price" takes the reader from the gritty punishments of prison life to the delicately balanced world of a farming estate, showing the slow healing of a prisoner who knows both what it means to be abused, and what it means to be the abuser.

This historical fantasy novella (short novel) can be read on its own or as part of Master/Other, a speculative fiction series exploring the dangers and sweet bonds of power.

This is a reissue of an older story.
 

Reviews

"[An] outstanding jewel [is] 'Debt Price,' the story of a young terrorist in a medieval world of lords and peasants who is sentenced for his crime to a brutal form of sex slavery at the hands of his victims . . . The story is one of tallying one's karmic debts and paying them off . . . It's a very dense, fascinating read." —The Annex Reviews.

"A story of the young man's struggles to recover and to understand his place in a world that doesn't seem to want him. . . . [It's] a story of love and compassion and, ultimately, is a promise that sometimes the intent to sacrifice is equal to succeeding in that sacrifice in order to honor a debt." —The Novel Approach.
 


Excerpt

To the right of him, sitting in a chair with his back to the youth, was a man. Slowly, like a shy beast creeping forward into danger, the youth walked toward the man. His heart was pounding so hard now that it was difficult to breathe. He could not see the man's face, but he could see the man's hand lying upon the arm of the wooden chair, and on that hand was a crystal ring.

He reached the chair finally, hesitated for a moment, then swiftly made his way round to the front and knelt before the man. After a moment he dared to look up.

The lord with the light hand was as he had been a fortnight ago: young and stern of face. He had over his lap a writing board and paper, and his left hand held a lead stylus. He was silent, looking down upon the youth.

"Lord master," the youth said softly, "I will do my best to repay to you my debt in any way I can." He placed his hand softly upon the inner part of the lord's thigh.

The lord recoiled as though a dung-beetle had run across his privates. He stood up, causing the chair to scream across the marble; the stylus broke in his hand and fell to the ground. His hand upon the writing board had turned white.

The youth, unaware that he was pressing his wrists together as though this might help, resisted the impulse to flee. Staring down at the ground, he whispered, "I thank you for paying my debt, lord master."

"Give your thanks to Hilder." The lord's voice was harsh. "He was the one who found the money for you."

The youth dared to raise his eyes to the crystal chain rising and falling upon the lord's heaving chest. The lord had moved several paces backwards, in the direction of the short flight of stone steps leading to the main door of the estate house. Still gripping his writing board, the lord said, "Hilder will take care of you."

And then he was gone, leaving the youth staring at where he had been, wondering who his new master was who would "take care of" him.
 

Available as a DRM-free multiformat e-book (epub, html, mobi/Kindle, pdf, doc): Debt Price.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
I've issued two Waterman collections. One (Master and Servant) is new, while the other (the Waterman omnibus) is an older collection that has been expanded to include the novel The Abolitionist. The only difference between their contents is that the omnibus includes Queue.

Cover for 'Master and Servant'


Another cover, plus blurbs, excerpts, and links to ordering information )
duskpeterson: An apprentice builds a boat as a man looks on. (Default)


Cover for 'Unmarked'



"Master Meredith, whose entitlement to a last name had not yet been determined by the courts, was sitting in a window-seat overlooking the playing fields of Narrows School when the Third House bullies found him."

In his final terms of school before his university years, Meredith is faced with a host of problems: A prefect who abuses his power. A games captain who is supposed to protect Meredith but has befriended the prefect. And a legal status that makes everyone in the school question whether Meredith belongs there, among the elite.

Unexpectedly, rescue arrives, in the shape of a fellow student who seems determined to right wrongs. There's only one problem. . . .

"Fair play" is the motto of the Third House, but that motto takes on a different meaning when Meredith is secretly wooed by a young man from a rival House.

This novel can be read on its own or as the third and final story in the "Master and Servant" volume of Waterman, a historical fantasy series and retrofuture series inspired by the Chesapeake Bay oyster wars, boarding school rivalries in the 1910s, and 1960s visions of things to come.

This is a reissue of an older story.


Excerpt

"Let's look at your arm now."

Meredith cautiously turned round. Carruthers stood fully dressed in his school uniform: shoes, trousers, shirt, vest, and a dark blue blazer – blue to represent transformation. No doubt he was entitled to a House cap as well, but he was as bareheaded as always. His hair was the color of yellow cordgrass when sun shone upon it. His eyes shimmered grey like pebbles in a pond. His skin was darker than the usual milky-white shade that distinguished masters from servants; one of the more vicious rumors circulating in the Third House was that Carruthers's parents, who were notorious Egalitarians, forced Carruthers to do servant-work during holidays. Meredith refused to believe the rumor, if only because he could not imagine any servant standing by and allowing Carruthers to do work on his behalf.

Carruthers had turned toward a table beside the students' lockers and was pulling open a first aid kit marked with the symbol of the Red Circle, for Narrows School was one of the few Dozen Landstead institutions that was charitable enough to raise funds for that international, humanitarian organization. "Giving money to the Yclau!" Rudd had once said in anger. One of Rudd's ancestors had drafted the Embargo Act of 1912.

Carruthers – like his father – clearly had no qualms about using foreign technology, for he was pulling out the kit's contents, carefully selected by the school, so as not to contravene the Embargo Act: bichloride of mercury tablets, tincture of iodine, aromatic spirits of ammonia, carbolized petroleum jelly, rubber tubes for tourniquets, adhesive plaster, picric acid gauze, cascara tablets, crystals of hydrated magnesium sulfate, and crystals of potassium permanganate. The last item – used to treat poisonous snake bites – was next to useless for a kit used on a Bay-island school, but some of the school's students who came from the mainland were convinced that every harmless water snake they saw was a venomous water moccasin.

In a prosaic manner, Carruthers focussed his attention on the kit's scissors and roll of bandages. As he cut a small square of bandage off the roll, he said, "Two pieces will do for now, I think, until we've cleaned your arm."

He was holding the scissors awkwardly, and Meredith remembered suddenly that Carruthers had sprained his right wrist at the last footer match. Meredith cried: "Oh, please, sir, let me do that for you!"

A moment later, he would gladly have borrowed Carruthers's heirship dagger and plunged it into himself. Carruthers glanced over at him, but this time he made no comment upon Meredith's eccentric eagerness. He simply handed Meredith the scissors and stepped aside. Meredith cut the final piece, sweat slickening his palms. He could feel Carruthers's gaze upon him.

"There's a bench over there that you might feel comfortable sitting on." Once again, Carruthers was being exceedingly careful in his wording. Meredith went over to the bench; then, at Carruthers's suggestion, he dragged it over to the table where the kit lay.

He felt light-headed as he sat down. The bench – which had been carved with the names of generations of Second House lads – was irregular under his bare thighs. The day had grown warm enough that Meredith had changed, that afternoon, back into his apprentice-aged clothing: short trousers and no blazer, only a vest, with his sleeves rolled up. Now Carruthers had Meredith pull up his right sleeve further so that the cloth would be well away from the cut.

"Fletcher's work, I take it." Carruthers placed his hands around Meredith's forearm and gently pressed the skin next to the cut with his fingers.

"Yes, sir. His cane." Meredith was all too aware now of the firmness of Carruthers's grip, and the tenderness of his probing.

"We'll have to hope, then, that he hasn't been sticking his cane into the ground for picket practice recently." He let go of Meredith. "The cut doesn't look deep, but tomorrow morning, when the school physician arrives, you should go straight to the sanatorium and have him check on you. If you wish, that is," Carruthers carefully amended his command.

"Yes, sir. Thank you, sir."

"He may want to treat you with tetanus antitoxin. In the meantime" – Carruthers's fingers were suddenly on Meredith's forearm again, squeezing hard – "I'll do what I can."

Meredith held his breath as Carruthers squeezed blood out of the cut, then carefully wiped off the blood with one of the pieces of sterile bandaging that Meredith had cut. "This needs a bit of antiseptic," said Carruthers, straightening up. He leaned over Meredith, reaching for a bottle labelled "Peroxide of Hydrogen."

Meredith forgot to let out his breath. Sitting as he was, his face was only inches now from Carruthers's chest. The strong smell of sweat on Carruthers's body had been replaced, after the sponge bath, with a sweet, salty scent that reminded Meredith of Bay water.

"Hold still," said Carruthers as he pulled back, adding, "if you don't mind." He poured a few drops of the antiseptic onto the wound. It fizzed, biting into the fresh wound. Meredith remained still and silent, as he had done when Carruthers had probed his cut and forced out blood.

He looked up from Carruthers's hands to see that the Head was watching him. "You're a player on the Third House footer team, as I recall?" Carruthers said.

"Yes, sir."

"Ah. That explains it." Carruthers turned his attention back to the cut.

Meredith felt a warm glow cover him then. No further words were needed from Carruthers; the Head did not need to say, "You bear pain well." His sentiments were contained in the simple words, "You're a player."
 

Available as a multiformat e-book (epub, html, mobi/Kindle, pdf, doc): Unmarked.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)


Cover for 'The True Master'



"Ledwin growled, 'I trust the slave is dead. The last thing our landstead needs are perverts wandering about causing trouble.'"

In a society where the rank of master or slave defines every aspect of a person's being, what do you do when you're a master and you envy your slaves?

This question is debated by the men who have gathered for the quarterly meeting of the High Masters of the Dozen Landsteads. It seems an impossible dilemma; in the Dozen Landsteads, one's rank is determined at birth. A master or a slave who wishes to hold a different rank is considered shocking.

The masters sitting in that room, receiving the service of slaves, would be even more shocked if they realized how deeply this question will affect their nation's future. Only one man there could tell them, but he is not yet free to reveal his secret.

This fantasy novella (short novel) of gay love can be read on its own or as the second story in the "Master and Servant" volume of the Waterman series.

This is a reissue of an older story.


Excerpt

Masters' children played upon the courtyard flagstones, young boys and girls making a hurried and serious consultation with each other over the conditions of the play. The decision was reached: a young boy stepped forward, looked around shyly at the adults who were watching with amusement, and knelt down before one of the girls. The boy gave an uneasy grin as the girl ruffled his hair in a masterly fashion.

"You ought to marry, Celadon."

The young High Master cast his gaze down and shook his head. He had been watching the children until a few minutes before, but now his attention was focussed upon a line of slaves carrying his wardrobe through the narrow, heavily guarded door that led to the winding stairwell of the newly completed tower. Perhaps it was only his imagination that told him the guards were watching, not the slaves, but himself, judging their new High Master with penetrating scrutiny, reading what sort of man he was from his gestures and posture.

Celadon managed to raise his eyes; the very effort exhausted him as much as though he were a weak man trying to lift a heavy stone. To his relief, the expression of the master beside him held nothing but friendly concern.

Celadon shook his head again. "I don't – I don't see why there's a need, Pentheus. I already have an heir."

Pentheus smiled, and his own gaze switched over to the young boy who was continuing to play at being a slave. "Now I will sound as though I'm asking you to strip my youngest son of the honor you have bestowed upon him. That is far from the case – Basil is well suited to inherit your rank, and I was pleased that you recognized that fact. But there are more reasons than children to marry, Celadon. You might find it easier to bear the burden of your rank if you had a companion to provide comfort to you in your leisure hours."

Celadon found that his gaze had dropped again. Cursing himself inwardly, he forced his eyes up and said, "I'm not sure— That is, I don't think my inclinations take me that way."

He kept his eyes carefully fixed upon Pentheus as he said this, but the lesser master's gaze drifted over to the male slaves, who were continuing to carry Celadon's many formal gowns into his new residence.

"Ah," Pentheus said. "Well, I can't say I'm happy about that, but at least I can be sure you would never force a slave. So the rumors I've heard are true? You've taken a bed-slave?"

Celadon gave up the struggle to keep his gaze level with Pentheus's. "I— Yes."

"Then I wish you happiness with him, Celadon; I need worry no longer that your nights will be lonely. Now, about the upcoming quarterly—"

"I don't know!" Celadon knew that his voice sounded desperate, and he tried to modulate its tone. "I haven't decided yet. I'm just not sure .. ."

"Celadon, you have been saying that for the past month. Sooner or later, you must make up your mind about the topics that the High Masters will discuss. You cannot remain silent through yet another quarterly; no true master—"

He stopped abruptly at the approach of a slave. The man knelt at Celadon's feet; without looking up, he murmured, "Master, a messenger has arrived for Master Pentheus."

"Mm." Pentheus eyed the slave, clearly wondering whether he should be the one to chastise the slave for his interruption of the conversation. He looked over at Celadon, but the High Master did not speak, so Pentheus said only, "That will be from Druce's homestead; I asked Sert to keep me informed as to Druce's condition. If you will excuse me, master?"

He gave Celadon a formal bow for the sake of the slave who was continuing to kneel at Celadon's feet. The High Master opened his mouth, then closed it again, uncertain how to respond. This caused Pentheus to give Celadon another sharp look, but the lesser master turned away and began walking through the courtyard toward the gate, where the slave-messenger from Druce's homestead was being held in waiting by the guards.

Celadon turned back to look at the slaves. They had finished bringing the wardrobe into the tower and were now carrying a series of chairs; Celadon saw that one of the chairs was high-backed and bore the symbol of the golden sunburst. He closed his eyes.

A soft cough beside him startled him into consciousness again. He had forgotten the slave who had brought the news about the messenger; the man had evidently given up hope that Celadon would order him to rise, and had risen to his feet on his own initiative. Celadon cleared his throat and said, "Thank you. You may return to your duties."

To his surprise, the slave did not move. He was wearing the heavy tunic of an outdoor slave, and it occurred to Celadon that the man might be lingering in the courtyard in order to avoid returning to the blustery winds outside the castle walls. Celadon knew that he ought to reprimand the slave for this, but he could not seem to find the words.

Of course, he never could; that was the problem. Feeling his chest grow tight, he swung his gaze away from the slave, dealing with that trouble as he had dealt with all troubles since he took the High Mastership, by remaining silent. He could feel next to his right hand the hard sheath of his dagger, and he had a sudden wild impulse to throw the dagger onto the ground and see how everyone reacted. His gaze travelled over to Pentheus, who was deep in conversation with the slave-messenger kneeling before him. Nearby, Pentheus's son bounded up from his knees and began to argue with the girl who had been mastering him.

"Summon me to your presence."

For a moment the words did not register, so unexpected were they. Then Celadon swung round awkwardly and found that the outdoor slave was still standing beside him. His gaze was level upon the High Master.

"What?" said Celadon, convinced that this new nightmare must be of his imagination.

"Summon me to your presence." The slave's words were soft, but there was a hardness at their core that stunned Celadon momentarily. He stared at the slave open-mouthed, trying to put his whirling mind to rights.
 

Available as a multiformat e-book (epub, html, mobi/Kindle, pdf, doc): The True Master.


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Cover for 'The Abolitionist'


"The servants were scared stiff of him, and the masters were clearly uncertain what to say to a man who came from such an eccentric House. Nothing was different, nothing had changed. And yet everything had changed since Carr met a young foreigner who showed him not the least bit of respect."

When a foul-mouthed, seditious foreigner turns up at your door, what are the benefits of letting him in? So wonders Carr, a young man living in a bayside nation that is troubled by internal battles. In his world, servants fight against masters, tonging watermen fight against dredging watermen, and landsteads eye one another's oyster grounds with greed. It seems to Carr that the only way in which to keep such warfare from entering his own home is to keep very, very quiet about certain aspects of himself which his family would not be able to accept.

But "trouble" is a word that appears to delight the new visitor. He is ready to stir up danger . . . though he may not be as prepared as he thinks to confront what lies within Carr.

This novel about an unconventional pairing features a special appearance by a character from the Slave Breakers series by Sabrina Deane. The novel can be read on its own or as the first story in the "Master and Servant" volume of Waterman, a historical fantasy series and retrofuture series inspired by the Chesapeake Bay oyster wars, boarding school rivalries in the 1910s, and 1960s visions of things to come.


Excerpt

 "Why do they call it Gunners Cove?" his visitor asked.

At that moment, clear as a crack of Bay ice at the end of winter, came the sound of gunfire. In the same instant, the fleet of the House of His Master's Kindness burst round Bentley Point, rushing like Ammippian war arrows through the grey dawn.

"Down!" shouted Carr, envisioning what would come next; for extra measure, he grabbed his visitor and pulled him prone to the deck.

Aware of his responsibilities as the highest-ranked master on the steamer, he raised his torso high enough to see what lay behind him. But no children were on the viewing deck, and all of the masters – heeding the warning of Carr's shout or of the gunfire – had either fled through the doors to the lower decks or were flattening themselves against the deck. Carr turned his head toward the water in time to see, through the railings, an Oyster Navy schooner dash around Bentley Point, hot in pursuit of the skipjacks. The police had evidently not yet noticed the steamboat ahead, for the cannon on the schooner's bow boomed. The cannonball sped across the water and plunged into the river, just ahead of the steamer. The steamer gave out a loud whistle of protest.

The fleet of His Master's Kindness, sensing salvation, sped toward the steamer, the skipjacks' sails full and proud in the breeze. As the fleet passed the bow of the steamer, Carr caught a glimpse of Rowlett, standing in the foremost boat and shouting orders to the captains of the boats behind him. Then the skipjacks were out of sight, hidden behind the squat steamer.

The Oyster Navy sent another rain of rifle bullets in the direction of the fleet. Some of the bullets hit the steamer; women screamed on the lower decks. Then the rifles were silent; the naval police dared not fire at the skipjacks once they were hidden behind a steamer crowded with masters and their families. Already, Carr could hear the masters behind him growling their indignation at the policemen's action.

"You give fucking exciting tours, Carruthers," his visitor said cheerfully as he rose and brushed the dust off his recently bought trousers. "Who's the boys in blue over there? The ones who are looking like the mice got away from the cat?" He pointed at the police schooner, which – in defiance to watermen's tradition – was painted blue to represent the policemen's desire to transform criminals. The schooner had stopped alongside the steamer, no doubt so that the police could check that they had not injured any masters.

"Excuse me," Carr said, his voice more rough than he would have liked. "I need to see whether anyone was hurt on the other decks."
 

Available as a multiformat e-book (epub, html, mobi/Kindle, pdf, doc): The Abolitionist.


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Cover for 'The Balance'

"'The Eternal Dungeon is my home now,' the High Seeker said. But as he spoke, he lifted his face and looked at the Vovimian carving, as a man might look at a beloved he must leave forever."

The Seekers (torturers) in the Eternal Dungeon have always expressed contempt toward the Hidden Dungeon in the neighboring kingdom of Vovim, whose torturers abuse prisoners without restraint. But the balance between mercy and hell is not so clear as might be thought in either dungeon, and now that balance is about to tip. Only the strength of love and integrity will determine the paths of two Seekers whose fortunes are bound together.

This novel can be read on its own or as the third volume in The Eternal Dungeon, an award-winning historical fantasy series set in a land where the psychologists wield whips.
 

VOLUME CONTENTS

"Truth and Lies." When you're a prisoner, having a torturer who's mad can be an advantage. Or maybe not.

"Barbarians." Vovim was renowned for its strong monarchy, for its love of the theater, and for its skill in the art of torture. In other words, it had all the qualities needed to become a civilized nation. But would anyone be willing to defy Vovim's tyrannical king? And if they did, would they survive?

"Hidden." He had been given the kindest, gentlest torturer in the dungeon. The prisoner was left with only one hope: that he could teach his torturer how to be cruel.

"Death Watch." Death lurks everywhere in the Eternal Dungeon . . . even in a torturer's bedroom.

"Balladeer." Sometimes it takes an outsider to point out the obvious.

"The Balance: Historical Note."


Excerpt

The corridor he stood in was very dark. With the furnace doors closed, the only light came from half a dozen oil lamps bracketed to the walls. The lamps were fitfully sputtering.

He tossed a coin in his mind and began walking slowly south, in the direction of the bats. There were doors all along the eastern side of the corridor, opposite to the furnaces, but none of the doors were marked in any way. He tried the knob of one of the doors, but it was locked.

He reached the last of the furnaces and paused, uncertain. A further stretch of corridor lay ahead of him, but the doors on the eastern side had ended. Was it worth travelling on and risking meeting one of the Eternal Dungeon's notoriously skilled guards?

It was at that moment that the Seeker entered the corridor from the west.

Yeslin received only a glimpse of him, for the Seeker immediately turned right, in the direction of the southern end of the corridor, and then disappeared through another western doorway. All that Yeslin caught was an impression of black. Black boots, black trousers, black shirt, and, of course, the mark of a Seeker: the black hood that hid a Seeker's entire head.

Yeslin stood irresolute for a moment more. The Seeker he had seen could not be the High Seeker; he knew that much. But tangling with torturers of any rank seemed the ultimate in danger. Moreover, what likelihood was there that the Seeker would give Yeslin the information he needed? These men were trained to extract information, through horrific means; Yeslin doubted that their training extended to giving out information to a passing stranger.

He thought this and felt his feet carry him forward. He realized afterwards that what carried him forward was not any conscious thought, but a sound: the very faint sound of machinery.

The sound of machinery grew louder as he approached the doorway that the Seeker had entered. Yeslin paused at the threshold, and not only because of the danger which the Seeker represented. He was pausing in awe of what lay beyond that doorway.

It was a steam engine – his ears had already told him that – but it was the biggest steam engine he had ever seen in his life. It was rigged up with what Yeslin could only describe as a giant's accordion. Two accordions, one squeezing down at the same moment that the other accordion released itself with a whoosh. Squish and release, squish and release – the two accordions worked in harmony with each other as the great steam engine that ran them pushed its rod-arms backwards and forwards.

Standing in front of them, with his back to the doorway, was the Seeker. The sound of the steam engine had evidently hidden the sound of Yeslin's footsteps, for the Seeker did not turn around as Yeslin entered the room. The torturer had his head tilted back, in evident contemplation of the machinery. Yeslin could imagine a Seeker being fascinated by the workings of a rack or another instrument of torture, but a Seeker who seemed wholly absorbed at the sight of less destructive machinery . . .

Yeslin closed the door. The Seeker's back stiffened. Then the Seeker turned. Yeslin could see nothing except his eyes, which were a deep blue.

"Mr. Taylor?" Yeslin heard that his own voice was shaking.

For a moment, the Seeker remained still, leaving Yeslin in an agony of certainty that he had misidentified the man. Then the Seeker raised his hands, pulling up the portion of his hood that hid his face.

It was indeed Elsdon Taylor. He looked tired, but no more so than the last time Yeslin had seen him. His face remained youthful.

"Yeslin Bainbridge." Elsdon Taylor's voice was incredulous. "How in the name of all that is sacred did you get in here?"

The dipping of his eyes was automatic. He did manage to keep from going down on one knee. But it had been three years since he had last met Elsdon Taylor, so very briefly, and though they had exchanged letters since then, he had not been able to communicate with the Seeker for the past fourteen months. Men can change a great deal in the space of fourteen months, particularly when they spend their nights torturing prisoners. . . .

"Yeslin." There was an indefinable shift in Elsdon Taylor's voice which caused Yeslin to look up. The Seeker was smiling now. He opened his arms. "Sweet one."

Yeslin came forward to accept the embrace of his brother.
 

Available as an e-book (HTML, PDF, Kindle, ePub): The Balance.


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Cover for 'Death Watch'


"Sometimes Layle wondered why, in the names of all the minor deities, he had chosen a love-mate who kept him continually off-balance, rather than the helpless, compliant victim he had so often dreamed about."

Death lurks everywhere in the Eternal Dungeon . . . even in a torturer's bedroom.

Trained as a young man to execute prisoners by entering their bodies, Layle Smith remains a danger to others, even after he moves to a more civilized dungeon, with strict rules on the treatment of prisoners.

Unfortunately, he's unable to convince a former prisoner of that fact. Faced with an adoring, oblivious love-mate, Layle Smith must decide whether he can hold back his dark desire, or whether he should give in to that desire . . . for his love-mate's sake.

This novelette can be read on its own or as the fourth story in the "Balance" volume of The Eternal Dungeon, an award-winning historical fantasy series set in a land where the psychologists wield whips.

This is a reissue of an older story.


Excerpt

Layle Smith caught his breath. He always caught his breath when Elsdon Taylor knelt in front of him, as the young man was wont to do at the most unexpected moments, probably because he enjoyed seeing Layle caught off-guard. Sometimes Layle wondered why, in the names of all the minor deities, he had chosen a love-mate who kept him continually off-balance, rather than the helpless, compliant victim he had so often dreamed about.

Then Elsdon would smile up at him, his eyes simultaneously filled with gentleness and wisdom, and Layle would remember.

"What is this?" Layle asked, trying to sound as commanding as a man who held the title of High Seeker ought to sound, though he very much doubted that his love-mate was fooled. Elsdon was a Seeker as well.

"My present," said Elsdon. "Did you think I'd forgotten?"

Layle, sitting in his usual armchair as he tried to finish reading a tall stack of guards' reports on the table beside him, looked down at where Elsdon knelt at his feet. Between his legs, in actual fact, a space which by all rights Elsdon should not have been able to reach without Layle noticing. Layle would have been long dead if he had been that careless with a prisoner. "Never forget that most of the prisoners in this dungeon believe that their only road to escape lies in killing you." He had told that to dozens of Seekers-in-Training over the years, including the young man kneeling before him.

When had he become so complacent to Elsdon's presence that his love-mate could take him unawares like this?

He cleared his throat. "I don't see any gift."

A dimple appeared in Elsdon's cheek. "Yes, you do."

Layle reflected to himself that Elsdon was showing unusual mercy by remaining clothed during this speech. Of course, that could be because he knew how much the High Seeker enjoyed ordering him to strip. Layle sighed and rubbed his eyes. He had not only become complacent; the pattern between him and Elsdon had become so predictable that his love-mate could plan the next move without awaiting Layle's word.

And that, he feared, was precisely what Elsdon was trying to point out to him.

He tried to stall. "Our fifth anniversary was three months ago."

"The fourth month of 355 is when we met. The seventh month is when we became love-mates."

He made a quick calculation in his head – a very quick calculation, for those early days were imprinted in his mind like gold upon scrollwork. "Then our anniversary was three days ago. That's when we first kissed."

"That was before I discovered what sort of dreamings you had about me. And when I did—"

"You quite sensibly broke matters off between us rather than risk being bedded by a sadist." He heard the harshness in his voice. After all this time, he still could not believe that Elsdon had made a wise choice in selecting him as a love-mate.

"And even more sensibly mended matters with you the next day." Elsdon sounded as blithe as he always did when discussing that decision.

"Which means yesterday was our anniversary." He strove to keep control of the conversation. The gods alone knew why; he had never won any battle that Elsdon set out to win.

He looked round the small Seekers' cell that he and Elsdon shared. All about him, he noticed for the first time in many months, were signs that he did not live alone. On a nearby table lay a technical manual on the workings of steam engines, the sort of information which made Layle's mind spin but which Elsdon happily gobbled up in his few spare moments. Nearby was a report by Elsdon about his latest prisoner, carefully composed in his school-neat handwriting. And over the bed-rail in the adjoining room lay Elsdon's hood.

Seekers never removed their hoods except when they were about to bathe or go to bed. They might raise the face-cloth of their hoods when they were in private, but the complete removal of a hood was reserved for bathtime and bedtime. For much of the year, Layle found the mere removal of Elsdon's hood to be an extremely erotic act.

And yet Elsdon had removed his hood without Layle even noticing it. And Elsdon could not have failed to miss the fact that Layle had not noticed it.

Layle rubbed his eyes again. This was beginning to look very bad.
 

Available as an e-book (HTML, PDF, Kindle, ePub): Death Watch.


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Cover for 'Truth and Lies'


"Thatcher was having difficulty deciding who to attack first."

When you're a prisoner, having a torturer who's mad can be an advantage. Or maybe not.

Thatcher Owen is a soldier who has been sent to the Eternal Dungeon for doing his duty. Accused of committing war atrocities, he is faced with the possibility of being manipulated by his torturer into confessing to a crime that was no crime. So Thatcher sets out to trick his torturer. But how do you trick a man whose very sanity seems in question?

Seward Sobel is faced with a similar dilemma. As senior night guard to the Eternal Dungeon's High Seeker, his job is to prevent that brilliant torturer from abusing his prisoner. But how do you tell the difference between madness and genius?

As these two men perform their delicate dance of duty, their fates will depend on the High Seeker's truthfulness . . . and on the nature of his lies.

This novella can be read on its own or as the first story in the "Balance" volume of The Eternal Dungeon, an award-winning historical fantasy series set in a land where the psychologists wield whips.

This is a reissue of an older story.


Excerpt

The entry hall was a high, broad cavern that contained little except tables and chairs pushed against the walls, where they could easily be hidden by the shadows if a prisoner entered the hall. Now, though, the perimeter of the hall was bright with lamplight and the chatter of guards awaiting new prisoners. Seward found himself thinking of Mr. Urman, whose training would be completed soon and who would be transferred into the care of Weldon Chapman. Six months before, Mr. Urman had told Seward that he could no longer stand the idleness and would seek a transfer. Seward had rounded upon him with all the fury of a mother wolf protecting her children, but it had made no difference. It had been a full year since the High Seeker's day guards had resigned, and the Codifier had not bothered to replace them. It was doubtful that anyone would have taken their positions.

At the time of Layle Smith's madness, the dungeon inhabitants had been united behind their High Seeker, doing everything they could to keep his mind from destructing. Yet fame is fickle: as it became less and less certain that the High Seeker would recover the powers that had won him renown throughout the world, the dungeon dwellers had gradually turned away from him in indifference or disgust. So few remained loyal to Layle Smith now: the High Seeker's companion, two or three of the junior Seekers who modelled themselves after him, and a handful of senior members of the dungeon who had worked alongside him for many years.

And the High Seeker's shadow, Seward Sobel, who had been with Layle Smith since the beginning.

The High Seeker was in the midst of turning away from Weldon Chapman when Seward reached him. Seward found his gaze lingering upon his Seeker, looking for changes from the old times. He had seen the High Seeker little more than any other dungeon dwellers had during the time of his illness; Layle Smith had asked for assistance during that period from his love-mate and Weldon Chapman, but from no one else. Seward wondered whether the same man he had known lay behind the closed face-cloth of the hood, or whether the High Seeker had been irremediably altered during his absence.

The High Seeker's eyes, always cool, raked over Seward as though his senior night guard were a prisoner worthy of being racked. "Yes, Mr. Sobel," he said. "Did you have something you wished to say to me?"

Mr. Sobel was touched by the slight sickness he had felt in his stomach ever since the early days, when his attempts to reach out to a young Seeker in friendship had been rebuffed with a coldness like midwinter wind. He opened his mouth to reply, and then realized, too late, that he had not come prepared with any excuse for speaking to the High Seeker.

Twenty-one years they had worked together, and he still needed an excuse to talk to Layle Smith. He thought this, and thought also of the time of absence when he had lingered each long night in the entry hall, far beyond the time when his shift officially ended, waiting for Layle Smith to call for his services.

Now the High Seeker's eyes were growing narrow through the holes in his hood. Seward began to open his mouth again to make some excuse for his presence when a faint scream cut through his thoughts.

The chatter in the entry hall died in an instant, as though sliced clean with a blade. For a heart's breath, everyone stared at the door that led to the prisoners' cells. Screams were a daily occurrence at the Eternal Dungeon; what had caught everyone's attention was the fact that the scream had cut off abruptly. Out of the corner of his eye, Seward saw the High Seeker's hand go to the side of his belt, as though he expected to find something there.

And then the silence was broken by a whistle – a high, hard whistle that shot through the air like a cannonball. And Seward was running, running as hard as he had ever run since the day in his youth when he saw a revolver in the hand of a man who had murder in his eyes, and whose gaze was turned toward the royal princess.

He ran as he had not run for twenty-six years: but the High Seeker reached the door before him.
 

Available as an e-book (HTML, PDF, Kindle, ePub): Truth and Lies.
 


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Cover for 'Barbarians'


"With a movement too quick to see, the master torturer used his whip to send the prisoner to his knees. 'Crawl,' he said in the flat voice a man might use toward a stubborn animal."

Vovim was renowned for its strong monarchy, for its love of the theater, and for its skill in the art of torture. In other words, it had all the qualities needed to become a civilized nation. But would anyone be willing to defy Vovim's tyrannical king? And if they did, would they survive?

Grieving over an acrimonious departure from his love-mate, a youthful ambassador from the neighboring nation of Yclau has come to Vovim on a mission to help that barbaric kingdom's prisoners. But he faces unexpected barriers: An insane young king. The king's effeminate companion, who holds his own plans for the ambassador. And a populace whose greatest wish, it seems, is to see the ambassador die during a theatrical performance.

Then arrives the only Vovimian who seems to have a shred of sanity to him. But this man is a skilled torturer, and he is hiding depths that even the ambassador may not be able to penetrate.

This novella can be read on its own or as the second story in the "Balance" volume of The Eternal Dungeon, an award-winning historical fantasy series set in a land where the psychologists wield whips.

This is a reissue of an older story.


Excerpt

Though the Code forbade Seekers all private belongings, long-standing custom permitted them a small allowance for luxuries. The High Seeker, being Vovimian-born, spent most of his allowance on books and art, and one evening in autumn, while the rain beat upon the crystalline rock that shed the only light into the underground Eternal Dungeon, the High Seeker had shown Elsdon Taylor an etching of a Vovimian theater company in performance. For the next two hours, Elsdon had listened with fascination to the talk of stage scenery and costumes, of introductory mimes and dramatic dialogues, of divisions into acts, of conflicts, climaxes, and finales, and (since this was, after all, a Vovimian theater) of bloody corpses on the stage afterwards, and of the theater companies' decision whether to fake the deaths or use criminal volunteers who had decided to let their execution be a final act of theater.

"But don't the condemned criminals panic at the last moment and spoil the show?" Elsdon had asked.

The High Seeker had bestowed upon Elsdon that look he often gave when they were discussing his native land, as though a lifetime of words could not complete Elsdon's education in this matter. All he said, though, was, "Not in Vovim."

Elsdon had spent the following night dreaming that he was watching a play in Vovim, performed by the world's finest players. For the next few weeks, his thoughts had lingered upon the regret that he would never have the opportunity to watch a Vovimian theater performance – not unless luck turned his way.

Luck, unfortunately, had turned his way. Amidst all his past dreamings, it had not occurred to Elsdon that he might take part in the performance himself, and that he would play the role of the criminal.

It was perhaps not surprising to learn that the King's palace was equipped with a theater, nor that the theater was located directly across the hallway from the throne room. Nor was it particularly surprising to learn that all of the courtiers and palace guests who had been milling about in the hallway, waiting for the King to emerge from his private audience with his High Master, were delighted to accept the King's invitation to enjoy the performance. They crowded into the vast theater, jostled their way into cramped rows, and stood on benches at the back and sides of the theater in order to get their best glimpse of the stage.

The stage itself had been stripped to the bare minimum, making a striking contrast with the fripperies and frills that usually adorned a royal performance. At Master Toler's orders, the only scenery left on the stage was a blood-red curtain, which would make for an arresting contrast with both the master torturer's uniform and the prisoner's lack of clothes. The middle part of the curtain had been pulled up to reveal the naked stone wall behind, and here a wooden post had been fastened to the stage floor. Attached to it halfway up was a set of iron chains, which sparkled under the lamps. The other lamps in the room shone their light on the stage, or on the narrow walkway leading from the theater door to the stage.

Elsdon made his entrance down this walkway. He was not permitted to walk.

"Crawl," said Master Toler.
 

Available as an e-book (HTML, PDF, Kindle, ePub): Barbarians.


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Cover for 'Hidden'


"One hundred lashes today. At least, it was supposed to be one hundred lashes, but my darling torturer (I call him that to annoy him) was fooled when I pretended to faint after the fifteenth lash. He didn't even order the guards in the corridor to poke me back to wakefulness with their bayonets. Makes me ashamed to acknowledge that we belong to the same profession."

He had been given the kindest, gentlest torturer in the dungeon. The prisoner was left with only one hope: that he could teach his torturer how to be cruel.

When the High Master of Vovim's Hidden Dungeon is arrested and placed in the hands of one of his own men, High Master Millard's immediate instinct is to show his torturer how to do a better job.

But Millard is facing seemingly insuperable odds: a lackluster torturer, a bitterly insane king, and most of all, Millard's own doubts as to whether he will be man enough to face the coming ordeal.

Perhaps he won't. And perhaps that is part of the lesson he needs to learn.

This short story can be read on its own or as the third story in the "Balance" volume of The Eternal Dungeon, an award-winning historical fantasy series set in a land where the psychologists wield whips.

This is a reissue of an older story.
 


Excerpt

Day 3: One hundred lashes today. At least, it was supposed to be one hundred lashes, but my darling torturer (I call him that to annoy him) was fooled when I pretended to faint after the fifteenth lash. He didn't even order the guards in the corridor to poke me back to wakefulness with their bayonets. Makes me ashamed to acknowledge that we belong to the same profession.

Afterwards he complied with my request for pencil and ledger-book. He even sharpened the pencil for me with his dagger. Idiot, idiot, idiot. Doesn't he realize what could be done to him if anyone finds out he's giving special favors to me?

Why am I surrounded by incompetents? This dungeon is filled with torturers who bungle simple rackings, burn themselves on their own pokers, and grow enamored with their prisoners and help them escape. I'm glad Toler isn't here to witness this.

Day 4: Another attempt at the hundred lashes, another bluffed faint. This time my darling torturer brought water to me. Any hopes I'd had, though, that he would dash it in my face were frustrated when I discovered that he was planning to give me water to assuage my thirst. I would have screamed at him, but I was too busy gulping down the water. It's been four days since I was allowed to eat or drink.

I reminded him of his duty afterwards, though. He looked hurt, and then slapped me to the ground. There might be some hope for him yet.

Day 18: The gap in time is because we actually managed to finish the hundred lashes. Instead of immediately following up on his advantage, though, my darling torturer allowed me time to heal. I might as well admit that he's a loss and resign myself to being in the care of the kindest, gentlest torturer who has ever performed in the Hidden Dungeon.

Curse it, no. He will not disgrace me like this. I'll see him dead first.

Day 19: Gave my darling torturer a small lecture yesterday about the duty of a torturer to his art. It seems to have done him good; he used the poker on me afterwards. I'm still able to write, which means he was too soft on me. I wish I could figure out how to reach him.

In the meantime, I can continue keeping this record, which I expect will be invaluable to future generations of the King's Torturers. This must be the first time in history that a prisoner has recorded his reactions while being tortured to death.
 

Available as an e-book (HTML, PDF, Kindle, ePub): Hidden.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for 'Milord'


"'You've been very well-behaved here. You deserve a better assignment than Milord as your guard.'"

He was the model prisoner, respectful to his guards and loyal to his fellow prisoners. What no one knew was that he held the key to destruction.

Having pledged himself to assist in a popular movement by prisoners and guards to reform Mercy Life Prison, Llewellyn fears the future, when it is likely that the reform movement will face stiffer opposition from Mercy's Keeper. But Llewellyn's fear of the future is overwhelmed by the present knowledge that he is not what he appears to be. Until now, he has managed to hide his secret and to sway his guards to follow his chosen path.

Now he has been placed under the power of a guard who cannot be swayed and who is intent on bringing Llewellyn under his control. Can Llewellyn escape from his new guard's control? Will he really want to, once he has seen the door open to a world filled with true respect, loyalty, and love?

This novelette can be read on its own or as the third story in the "Mercy's Prisoner" volume of Life Prison. Friendship, desire between men, and the costs of corruption and integrity are examined in this multicultural historical fantasy series, which is based on late Victorian prison life.
 


Excerpt

Panting from his exertions, Merrick began to inspect the plumbing. "Drip pan looks fine. Nothing clogging the strainer. Let me get this pipe open. Have you chosen your guard yet?"

Llewellyn hesitated. "I'm not sure. . . ."

"There are lots of us guards abiding by the Boundaries these days," Denley pointed out, removing a cigarette from his jacket.

"I wondered . . . I thought perhaps I could do more for our Alliance if I picked a guard who doesn't keep the Boundaries."

"Try to persuade him to join the Alliance, you mean?" Denley tapped the end of his cigarette against the broken refrigerator.

"Milord," said Merrick, frowning over the plumbing pipe as he thrust his hand into it.

"You think so?" said Denley, his eyebrows raised. "He keeps the Boundaries."

"He has never admitted it, though." Merrick pushed the handkerchief into the pipe. "'I'm not going to have my judgment as a guard second-guessed by a scheme dreamed up by a clique of convicted criminals. . . .' He natters on and on about it, if the subject comes up."

"But he keeps the Boundaries?" said Llewellyn.

"Yes," replied Denley, lighting a match from the stove-fire.

"Yes, if you define the Boundaries as beating your prisoner every night." Merrick extracted the handkerchief, which showed little sign of having been inserted in the pipe.

"Not every night," Denley protested. "Be fair to him, Merrick. He's a strict disciplinarian, but he only beats prisoners who deserve it."

"Why is he called Milord, sir?" Llewellyn asked Denley.

"Oh, he's Lord Vere, officially. Comes from southern Vovim originally. He's one of those Vovimian lords who lost his land during that kingdom's civil war." Denley lit his cigarette. "He still has a lordly air to him, so we call him Milord, for fun. He doesn't mind; he'll accept a good-natured joke."

"So he's an honorable guard, but he's strict," Llewellyn concluded. "He'll only beat me if I've done something that makes me truly deserve a beating."

"Not that that will be a problem for you." Denley bestowed one of his condescending smiles upon Llewellyn. "You've been very well-behaved here. You deserve a better assignment than Milord as your permanent guard."

"Request Milord." Merrick threw aside the plumbing pipe with a gesture of disgust.

"You think I should?" Llewellyn asked uncertainly, standing up and leaning against the squat box of the refrigerator, which he and Merrick had laboriously pushed aside at the beginning of the evening, while Denley stood next to them, chatting brightly as other men did the hard work.

"He's the right guard for you." Merrick's voice was flat.
 

Available as an e-book (HTML, PDF, Kindle, ePub): Milord.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for 'The Consultation'


"'I can see why this place would suit you. Your conscience need no longer bother you.'"

He has come from the Eternal Dungeon to offer his services to another prison's head torturer. The only trouble is that the head torturer likes him too much.

Separated from his love-mate and forced to serve in a prison whose practices violate the ethical code that he has long obeyed, the High Seeker of the Eternal Dungeon finds himself surrounded by temptation: the bodies of prisoners, stripped to provide pleasure for their torturers.

Then the greatest temptation of all arrives. This one, the High Seeker realizes, he may need to surrender to, for the sake of his ethical code.

This novella can be read on its own or as the fourth and final story in the "Transformation" volume of The Eternal Dungeon, an award-winning historical fantasy series set in a land where the psychologists wield whips.

This is a reissue of an older story.


Excerpt

He found Cell 1 easily enough; it was the first door along the corridor. He hesitated at the entrance, but no guards stood outside the door. From the sounds throbbing through the thick door, he supposed the guards must be inside, assisting the torturer. He lifted the latch and walked in.

The torturer was indeed hard at work on a prisoner, and the sight of the prisoner alerted Layle to what smell had tickled his nose earlier. Of course, he thought. It had been over twenty years since he had walked in upon a scene like this, but his mind had remembered the smell of burning human flesh. That smell was quite common in the Hidden Dungeon.

This particular prisoner – who was alternating sobs with groans – was only being lightly roasted. She was bound in chains upon a grill encircling her, so that she could be slowly turned, each part of her body receiving the heat of the flames below her. It would take quite a while for her to break if she was roasted at this low level, Layle concluded. But then, he thought with growing disgust, he had known torturers who preferred slow pain over hard pain. . . .

The torturer turned to look at the newcomer. He was a bearded man, broad-chested and tall, and with friendly brown eyes. He smiled and said, "Hello, Layle. Close the door, will you? I don't want the draft from the corridor to blow out this fire. It will take me just a minute to finish up here."

Layle stood motionless, every spoonful of blood in his body pounding madly in its race. He could feel his face turning cold as the blood drained away. The torturer turned back and said to the guard rotating the grill, "You're taking her too far. Pull the grill up a few notches and bank that fire. Then start again when she's ready."

The guard nodded and followed the instructions he had been given. The torturer picked up a cloak that was hanging from a hook nearby. Bits of flesh were hanging from the hook as well. He began to fling the heavy cloth over his shoulders, then glanced over at Layle and tossed him the cloak. "Here, they should have assigned you one of these. It can get a bit chilly here, unless you're working with a prisoner who requires fire."

Long training kept him from speaking while in the presence of a prisoner being searched for her crime, but the moment that the door of the warm cell closed, Layle stood motionless in the corridor and blurted out, "Master Aeden, what are you doing here?"

"My work," his old master from Vovim said with a smile. "What else would I be doing in the middle of a workday?"

"But I killed you!"

His master lifted an eyebrow. "In actual fact, you offered me the means to kill myself. But if you'd like to add murdering your master to the list of deeds your conscience tortures you about, you're welcome to do so. Do put that cloak on; this place will be colder further on."
 

Available as an e-book (HTML, PDF, Kindle, ePub): The Consultation.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for 'A Prisoner Has Need'


A cold-hearted murderer has been brought to the Eternal Dungeon, one who must be dealt with through firmness and perhaps harshness. Too bad he's twelve.

Reeling from a personal tragedy, Weldon Chapman is assigned what appears to be a clear-cut case of extracting a confession from a young man who has committed murder in front of dozens of witnesses.

But the prisoner comes from a neighboring country where ancient customs continue to be practiced. As Weldon penetrates the mystery surrounding his prisoner, he will come to realize that he cannot keep his distance from the agony of this tragedy, nor from the agony that lies within himself.

This novella can be read on its own or as the third story in the "Transformation" volume of The Eternal Dungeon, an award-winning historical fantasy series set in a land where the psychologists wield whips.

This is a reissue of an older story.


Excerpt

The guard's eyes widened; then the man smiled for the first time. "I suppose it's no good to keep thoughts secret from a Seeker."

"Certainly not when you come to his quarters with the express purpose of questioning him. Do you have questions about your duties?"

"Not my duties so much as my living arrangements. I asked Mr. Boyd, since he's supervising my training. He didn't know the answer and told me to go see Mr. Daniels. I suppose I should be asking him instead of bothering you, but . . ."

Weldon gave a chuckle as he waved his hand over his tea in an effort to cool it. "Personally, I send letters to Mr. Daniels. Or smoke signals. Anything to keep me from having to walk into the dragon's den."

Mr. Crofford laughed, his body relaxing. "I know I shouldn't be afraid of the Codifier, but . . . Well, it's easier to ask you questions. You remind me of my father."

After a moment, Mr. Crofford put his cup of tea down and said, "I'm sorry, sir; I didn't mean to offend you. Would you prefer that I leave?"

"Take no mind of me. I just had a hard time sleeping last night." Weldon did his best to smile at the guard. "What is your question?"

"It's about children, sir."

After another moment, the guard rose from his seat. "Sir, I can see I have caught you at a bad time. I should let you—"

"No, no, sit. What were you going to do, bother the High Seeker with your questions? You're working under me at the moment; it's your duty to come to me with any questions Mr. Boyd can't answer. Are you wondering whether, if you marry, you'll be permitted to raise children in the Dungeon?"

Mr. Crofford nodded. "Yes, sir. I'm engaged to be married; my fiancée works in the outer dungeon. I was wondering about children, and so was a friend of mine who already has a couple of daughters and is thinking of applying for a job in the outer dungeon. I'd assumed that we wouldn't be permitted to raise children here, but since my arrival, I've seen a number of children in the outer dungeon."

"I see." He did his best to keep his voice steady. The fates knew that he had enough experience at that in his work. "Well, Mr. Crofford, the answer is different, depending on whether we're talking about you or your friend. The Codifier occasionally allows dungeon residents to raise children born in the Eternal Dungeon, provided that the parents of the children have already committed themselves to remaining residents here for a number of years. In your case, I think the Codifier would want to wait some time for an indication that your work here was more than passing employment. In the case of your friend, I'm afraid that he would not be permitted to bring his daughters to the dungeon. We had a very hard struggle deciding whether any children at all should be exposed to the dark and bloody atmosphere of the Eternal Dungeon. The Codifier's final decision was that children born in the dungeon might be able to adjust to conditions here, but that it would be wrong to bring in children who had been raised in the lighted world."

"I see," said Mr. Crofford. "So it's possible that, with the Codifier's permission, my fiancée and I would be permitted to raise our children born here, but children couldn't come here from the outside. We couldn't adopt any children, for example."

"Precisely." He wondered that his voice sounded so calm. It was a tribute to the training he had received over the years. "If you have no other questions, Mr. Crofford . . ."

The guard hastily abandoned his tea cup again and rose, saying, "I appreciate your taking the time, sir. I understand the Codifier's conclusions in this matter – though I admit it makes me curious as to whether he knows about the new prisoner."

"The new prisoner?" Weldon frowned. "Why, is the prisoner a mother who is anxious at being separated from her children?"

"Oh, I'm sorry, sir. I forgot that you hadn't seen the prisoner yet. Here . . ." He handed Weldon the board of papers, pointing to the first line of the first page.

Weldon knew the precise moment at which his self-control shattered. Mr. Crofford took on a look of alarm akin to that of a child who turns the corner and sees a dangerous dog in his path. "Sir, I – I should go—" he stammered breathlessly.

"Yes," said Weldon. And then, his years of training rescuing him once more: "Thank you, Mr. Crofford. I appreciate your assistance. It is important for me to know when the prisoner has special needs."
 

Available as an e-book (HTML, PDF, Kindle, ePub): A Prisoner Has Need.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for the 2013 edition of 'The Three Lands'


Koretia, Emor, and Daxis were all founded on the same day, but as the centuries have passed, the Three Lands of the Great Peninsula have become increasingly divided by religion, government, and culture. Koretians worship many gods, Daxions worship one goddess, and Emorians revere only their law. Emorians claim that Koretians are vicious and superstitious, Koretians think that Daxions are vile oath-breakers, and Daxions charge that Emorians abuse their children and slaves.

If a god were to appear in the Three Lands, would his appearance bring an end to the fighting between nations? Or would he merely help to spark an inferno of war?

As the inhabitants of the Three Lands struggle to adjust to the appearance of an unexpected visitor into the human world, two people will play crucial roles in the conflict. One is a young Emorian – clever, courageous, and affectionate – who will come to understand the Koretians with a depth and intimacy that few others of his land can match. The second person is a Koretian boy whom the Emorian will seek to destroy.

This 2013 edition of the omnibus is expanded to half a million words. It provides a bundled collection of three novels, two novellas, and a novelette in The Three Lands, a multicultural fantasy series on friendship, romance, and betrayal in times of war and peace.

This is a reissue of older stories.


Excerpt

"How will the Chara avoid becoming the Jackal's next victim?"

"The Chara hopes," said Peter with a smile, "that his subject Andrew will not be leading him into any more ambushes. But in any case, I won't be travelling as the Chara. It appears that the Jackal doesn't murder Emorian lords at random, so I should be safe if I don't call attention to myself, but instead journey to the governor's palace in the company of one or two other lords." He paused, searching my face. "I may take a few lesser free-men along as well."

I did not move my gaze from his, but my expression remained masked. "Are you asking me to come with you, Peter?"

His voice, when he replied, was gentle. "I wish that it were Peter who was asking. I would like to say that the only reason I am asking you is because I, Peter, would like my friend to be able to visit his childhood home. But the fact is that the Chara is requesting his servant to accompany him so that, with your special background, you can find me information that I may wish to use against the Koretian rebels and their Jackal. I need you to be a spy in your own land."

I still did not move, but now that the words were said, I felt my heart ease somewhat. "Thank you for putting that so clearly, Chara," I said softly, "but I have only one land, which is Emor, and only one master, which is you. When I gave my oath of loyalty to the Chara, I did not say that I would serve you only on condition that you not give me any hard tasks to do. If you need my help, then I will gladly come with you to Koretia."

He bowed his head to me, as though he were the servant and I the master.. . .
 

Available as an e-book (HTML and PDF): The Three Lands: an omnibus of fantasy novels set in the Great Peninsula. An earlier, shorter edition remains available in ePub and Kindle formats.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for 'Men and Lads / Lord and Servant'

"He twisted his head around to give a despairing look at the brakeman. Beyond him, the open boxcar door revealed that the train was presently making its way along a trestle over a steep ravine. If he jumped now, he would certainly end up dead at the bottom of the gorge. It wasn't clear whether the brakeman cared."

Two guards. Two prisoners. A multitude of problems.

As a tramp beats his dangerous way to a new destination on the Western Mippite Railroad, he is joined by a prison guard seeking guidance on a difficult prisoner. The guard's guidance must come from a man who is longing for a human bond . . . but who has a reputation to establish.

Meanwhile, a tramp and a lord may seem to make an odd pair. But Compassion Life Prison is an odd place to start with, and the tramp has his own perspective on life there.

This novella-sized volume contains two related side stories in the Life Prison series. The costs of corruption and integrity are examined in this multicultural historical fantasy series, which is inspired by prison life at the end of the nineteenth century.

"Men and Lads" is a reissue of an older story. "Lord and Servant" is a new story.


Excerpt

Starke had never seen machine rifles in operation, but he had heard of the destruction they had caused during the final years of the Thousand Years' War. Those had been lumbering machines, difficult to move and operate, requiring an extra man to feed the ammunition. But this new design . . . Sweet blood, it looked as light as an ordinary rifle, and it was fed, not by an ammunition belt, but by magazine boxes.

The perfect gun to carry into battle . . . or to hold back murderous prisoners.

The Assistant Keeper shook his head. He was twenty-eight, four years younger than Starke, but he always had a certain gravity about his manner that made him look older – at least, he seemed that way to men who hadn't seen him in his bath, squealing as he played with a wooden duck decoy. That had happened when Tom was twelve, but it was an image impossible to forget.

Now Tom said, "Yclau won't sell arms to us. But in lieu of machine rifles . . ." He passed the accompanying letter to Starke.

Starke's eyebrows shot up as he scanned the missive. "To us? These are the same magisterial seats who have told us time and again that it's perfectly possible for twenty guards to control a thousand prisoners, using nothing but whips and daggers?"

Tom smiled. "They changed their minds."

Starke eyed him. Whenever Tom grew cagey with information, it was a sure sign that he had been involved in the event. No doubt he had sent letter after letter to the magisterial seats, arguing in favor of better weapons.

"Well," said Starke, folding up the letter, "at least we'll be able to use ordinary rifles. That will help with guarding the entryway." He pointed to the gunners' post.

"And even more with the prison itself." Tom took the letter from him, placed it and the blueprint back into the envelope, and carefully tucked the envelope into the inner pocket of his jacket. "If those prisoners ever decide to try to make a mass dash through the prison gate when we open it . . . Well, may the gods help us. Regretfully, we would need gunfire to hold them back."

The "regretful" part of the statement, Starke knew, did not have to do with the guards' lack of defense against the vicious prisoners. Tom always had a soft spot where convicts were concerned. Starke had given up trying to point out to Tom the folly of having a gushy heart toward men who had been sent to prison for life for their premeditated murders and rapes. "Where will you place the second gunners' post? Above the guards' post?"

Tom nodded. "The balcony opposite the prison gate will provide the best view for the gunners . . . if we can obtain the gunners. What worries me, Mr. Starke, is not whether we will get the rifles; my worry is who will man the gunners' posts."

"Ah." Starke reflected that Tom had a gift for pinpointing troubles. "How many guards are certified for gunnery duty?"

"You. Me. Mr. Landry. And our Keeper, of course, but he can't be expected to take gunnery duty. Nor can I, most days, because of my extra duties as Assistant Keeper." Tom shook his head. "Mr. Starke, we cannot protect this prison with only two active gunners. We need more guards who are certified to man firearms."

Starke made no reply. He knew that Tom was already aware that the best place in Mip to find certified gunners was in the Mippite army. Tom also knew how slim his chances were of persuading any soldiers to transfer their talents to a life prison. The army despised the life prisons, considering them a never-ending source of trouble, since it was the soldiers who were called upon to round up escaped prisoners and put down riots.

At Compassion Prison, only two guards were former soldiers. One was Landry, who was rumored to have requested a transfer from the army in order to escape incipient charges regarding his conduct with a neighborhood girl. The other soldier was Starke. Starke knew well enough why he had originally transferred to Compassion: out of curiosity to see why, by all that was sacred, the life prisons couldn't keep their prisoners under better control.

What puzzled him was why he was still here at Compassion, sixteen years later.
 

Available as an e-book (HTML, PDF, Kindle, ePub), with an online sample; the first story in the e-book is also available as online fiction: Men and Lads / Lord and Servant.


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