duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Lost Haven

"Then he remembered (on the edge of his memory, like a smudge of land on the horizon of the Bay) the reason that he and his father had lived alone on an island where once hundreds of people had lived."

Amidst a servant's nightmare, can a haven of hope be found?

Meredith has brought his beloved master to the island where he spent the happiest days of his childhood. But when danger descends upon them, they must seek refuge, and Meredith must confront the tantalizing sorrows and rewards of change.

This short story about love between two young men can be read on its own, or as a side story in Waterman, a historical fantasy series and retrofuture series inspired by the Chesapeake Bay oyster wars, boarding school rivalries in the 1910s, and 1960s visions of things to come.

A 2013 holiday gift story for Dusk Peterson's readers.


Excerpt

He saw his master's boat long before it arrived, skimming over the afternoon-bright waters of the Bay. The closer the lithe vessel approached, the deeper the sun dipped in the sky, and the more the grey clouds huddled together like cloaked guests awaiting the start of a dinner party. Meredith began to worry that his master would arrive so late in the day that he and Meredith would be trapped there overnight, with a storm approaching. Then Meredith recalled that a house awaited them, with four walls and a roof to shut out the wind and the water – a haven on an island that he had always considered a haven, since the time he left it as a child.

The Bay, which sliced like a knife between the two shores of the Dozen Landsteads, was already growing choppy from the upcoming storm by the time that the skipjack anchored, a few yards from shore. By that time, Meredith was hiding in a grove of loblolly pines, so he did not see the yawl carry his master from the skipjack to the island. However, he did hear the uncultured voice of a servant say, "You sure you don't want us to come back, sir? Looks like a rough place to stay the night, and there's a blow coming in on the tide."

Meredith did not hear his master's reply, but it must have been reassuring, for when he peeked out again, he saw that the little yawl was being hauled aboard the skipjack, while his master stood on the shell-strewn beach, his back to Meredith, his hand waving farewell to the crew who had brought him to the island.

The anchor came up, the rising wind bellowed the sails full, and the crew began the painful job of turning the skipjack and tacking their way back to the Western Shore from whence they had come. They would be eager to return home, Meredith knew, for tonight was the final day of the festival week of Spring Manhood, when servants would feast in honor of their masters.

Meredith had never attended such a feast, either as a master or as a servant. He never would, he knew. He would be embarrassed to be toasted by servants who believed him to be a master, and as for receiving the joy of toasting his own master . . . It was enough that he finally had a master, after so many years spent masquerading as one.

Or so he told himself.
 

Available as a FREE DRM-free multiformat e-book (epub, html, mobi/Kindle, pdf, doc) or as online fiction: Lost Haven.


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Cover for 'Night Shadow'

"That will be your death."

A prince who could see beyond his borders but not see the people around him. . . . An enemy who would take any measure to get what he wanted. .. . And now a stranger has brought news to the prince of an approaching danger.

Young though he is, Farsight has inherited a powerful gift from his father that allows him to protect his realm. But when a conniving king in a neighboring country sets his sights on Farsight's mountain of gold, the prince will need help to protect himself against an assassin's knife. Will a newfound companion-in-arms be enough to save Farsight, once the Night Shadow crosses the border?

This stand-alone novelette can be read on its own or as part of Darkling Plain, a collection of fantasy tales about young people in times of conflict.

This is a reissue of an out-of-print story.


Excerpt

Farsight, less commonly known as Prince Clerebold, ruler of Dawnlight since the death of his father by mischance, stood on the highest, narrowest tower of his keep and looked down upon his realm. From here, far higher than the birds swooping from tree to tree, he could see clearly his people: castle dwellers walking to and fro across the drawbridge under the watchful eye of the soldiers, tradesmen bumping carts against each other in the busy streets of the town under the keep's shadow, craftsmen working in their village houses with steady concentration, commoners spreading seed in the fields under the spring sun, and, most clearly of all, the nervous soldiers near the gold-filled mountain that stood by Dawnlight's northern border with Duskedge. Within Duskedge itself, Farsight could faintly sense fear and pain, especially the prolonged agony of men held captive in a faraway castle. But the darkness that Farsight had sensed during the past weeks was quiescent, perhaps driven into sleep by the light.

Kneeling on the ledge of the crenel that provided a gap in the tower's stonework, Farsight stared down at the hundred-foot drop and murmured to himself, "If only I could see the people near me clearly. They seem so dim."

"That will be your death."

Startled, Farsight turned so suddenly that he nearly matched his father's death by pitching through the crenel into open air. Standing behind him, near the trap door leading to the winding stairs, was a man not much younger than Farsight, wearing the clothes of a commoner. He was standing so close to the prince that Farsight could see little more than mud-colored hair and eyes that matched the burnished blue sky.

"Who are you?" asked Farsight sharply, his hand moving to the gold-hilted dagger at his side. "Why are you here?"

Farsight's abrupt words seemed to startle the young man. He stepped backwards onto the trap door, stumbling as he did so. The sound of his heavy swallow followed, and the blur of his outline shifted. Narrowing his eyes to better his sight, Farsight realized, with amusement and something more, that the young man's hands had tightened nervously like those of a boy facing scrutiny.

The gesture reassured him, as did the faint sound of footsteps below the trap door, which told him that the guard was still at his post. "Why are you here?" he asked in a more moderate tone. "The guard had orders to let no one through."

"The guard?" The young man's voice was breathless and somewhat puzzled. "He wasn't at the landing when I came up. I saw him— Well, he was at one of the windows of the stairwell, fiddling with his breeches."

Farsight sighed, wondering again what sort of men he was training to be in his personal guard. He tried not to let too much of this show in his voice as he said, "That was careless of him. So – the fault is not yours, but why are you here?"

He heard the young man swallow again. "That's why. To warn you to guard yourself better."

Farsight frowned, trying to read what lay inside the young man, but he was too close. Pulling himself out from the crenel ledge, which had begun to turn warm under the morning light, the prince walked toward the eastern side of the tower, until he was as far from the young man as he could go. The young man, perhaps sensing his need, obediently stepped backwards until he was at the opposite side of the tower.

He was still too close, but Farsight could at least see now the man's features: a heavy jaw, lips too asymmetrical to attract lovers, a broken nose, a scarred temple, and blue-lit eyes bearing nothing except uncertainty. As Farsight watched, the man licked his lips anxiously.

His hand, though, was resting with practiced ease on his dagger hilt, and his cheeks were shaven – he was not a field commoner, then. "You're a soldier?" Farsight guessed aloud.

"A guard, my prince." The young man hesitated, then added, "My name is Amyas. I've been with Lord Grimbold's household until recently." With delicate timing, he allowed his hand to drop from his dagger.

Farsight felt the blood thrumming through his throat and resisted the impulse to call for his guard's protection. "You're far from home," he said. "I wouldn't have thought you'd have left Duskedge at time of war. And why call me your prince?"

"My prince, I—" Amyas faltered, staring at his mud-wrapped boots. "Because you are my prince. I was born in Dawnlight, near the border. I would have stayed here, but I couldn't find work in this land. So I went over the border and took service with Lord Grimbold, but part of our agreement was that if war broke out between our two lands, I'd be released from his service to return home."

"War broke out four months ago," Farsight observed. "That's when Royston turned his hungry eyes toward our gold-mountain near his border."

"Yes, my prince, and I left Lord Grimbold's service at that time. It occurred to me, though, that you might be in need of information, so I went to King Royston's castle and listened to the gossip there. I'd been there in the past, so no one took notice of me."

Amyas spoke with a pure simplicity, as though risking his life as a spy were the most natural activity in the world. He had a habit, Farsight noticed, of shuffling his feet on the ground, as though he were a boy who might be noticed at any moment and would need to flee the room to escape his elders' wrath.

Farsight suddenly felt very old. He smiled at Amyas and said, "So you have come to me with that information. Thank you."

Amyas looked up at him. For a moment, on the edge of his expression, something seemed on the point of breaking through. Then his eyes grew sober, and he said, "Yes, my prince. I came to warn you to guard yourself. King Royston has sent his Night Shadow to seek you."

A wind, chill from the north, travelled through the crenel behind Farsight and played like a cold blade against his back. When he could breathe once more, Farsight said, "Well. I suppose that is the easiest way for him to win this war."

Amyas took a step forward, faltered, then said in an impassioned voice, "My prince, forgive me, but— In Duskedge, I always kept to my place, so I do not wish you to think I was ill-trained there—"

Farsight managed to pull his smile back from the black pit where it had dropped. "We handle matters differently here in Dawnlight, as you'll recall from your childhood. You needn't be afraid to offer advice – I welcome your thoughts."

"Then, my prince—" Like the surge of a blade, Amyas flung the words forward: "Prince Clerebold, you're as close to death at this moment as you were when you were kneeling on that ledge! Do you know how easy it was for me to enter your presence? No guard challenged me at the drawbridge, your soldiers in the courtyard were indifferent to my presence, your courtiers gave me detailed instructions on where to find you, and your bodyguard was off making water when a man from Duskedge arrived looking for you. My prince, if I were an assassin, you'd be dead now!"

Farsight let out his breath in a long sigh and walked forward until Amyas's face blurred into the stones. "No, I wouldn't be. My guard is close by; the Night Shadow never allows himself to be seen, and he never kills anyone except his mark."

This answer appeared to disconcert the young man. A moment passed before he said, "And what if the Night Shadow decides to change its pattern for this kill? My prince—"

"Call me Farsight," the prince said mildly. "You've been too long away from home."

"Farsight . . ." Amyas fumbled with the name. "Farsight, the Night Shadow always wins. Everyone knows that. That's how Royston keeps his people in terror. And you . . . Your soldiers are the best trained in the world; Royston dare not attack you again through battle. That's why he's sending the Night Shadow. My prince, how can you have such fine soldiers at the border and such poorly trained guards at home?"

Farsight closed his eyes, released a long breath, and opened them once more to the blur that was the young man. "I'm farsighted," he said.

"My prince?" Amyas's voice was tentative.

"I'm farsighted. I can't see you unless you're far away; I can't see anyone unless they're far away. The soldiers I train at a distance – I can see them. The people I rule from a distance – I can see them. But the people I work with from day to day – I can't see them. I can't understand them, I can't know them. So I make mistakes. In some cases, mortal mistakes."

The wind rattled grit across the tower roof. Faintly from the sky above, birds called to each other, but Farsight could hear nothing more, not even the shouts of the guards on the drawbridge as they changed their watch. Below the trap door, the guard continued to shuffle in his place. By now, he must have heard Amyas's voice, but Farsight's moderate tones had apparently reassured the guard as to the nature of the interview. With exasperation, Farsight wondered whether the guard thought that Amyas had flown to the tower from one of the trees.

"Are the stories true?" Amyas's voice was subdued.
 

Available as a DRM-free multiformat e-book (epub, html, mobi/Kindle, pdf, doc): Night Shadow.


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Cover for 'Debt Price'


"He kept his gaze cast below the belt. In the chill cell, sweat was beginning to form now on his neck, running down his back and between his bound wrists. 'Lord,' he said softly, 'I would be glad to pay to you my debt in any way I can.'"

No one would pay his debt price to gain him release from prison. So he sought to pay it himself by offering the only thing he could, his body. But one man would require more.

Convicted of helping to wage a campaign of terror against the lords who oppressed the commoners, the prisoner comes to realize the full implications of what he has done. All of his attempts to mend what he has broken will fail until he meets a young lord whose own struggles have just begun.

Set in an imaginary world based on Renaissance Europe, "Debt Price" takes the reader from the gritty punishments of prison life to the delicately balanced world of a farming estate, showing the slow healing of a prisoner who knows both what it means to be abused, and what it means to be the abuser.

This historical fantasy novella (short novel) can be read on its own or as part of Master/Other, a speculative fiction series exploring the dangers and sweet bonds of power.

This is a reissue of an older story.
 

Reviews

"[An] outstanding jewel [is] 'Debt Price,' the story of a young terrorist in a medieval world of lords and peasants who is sentenced for his crime to a brutal form of sex slavery at the hands of his victims . . . The story is one of tallying one's karmic debts and paying them off . . . It's a very dense, fascinating read." —The Annex Reviews.

"A story of the young man's struggles to recover and to understand his place in a world that doesn't seem to want him. . . . [It's] a story of love and compassion and, ultimately, is a promise that sometimes the intent to sacrifice is equal to succeeding in that sacrifice in order to honor a debt." —The Novel Approach.
 


Excerpt

To the right of him, sitting in a chair with his back to the youth, was a man. Slowly, like a shy beast creeping forward into danger, the youth walked toward the man. His heart was pounding so hard now that it was difficult to breathe. He could not see the man's face, but he could see the man's hand lying upon the arm of the wooden chair, and on that hand was a crystal ring.

He reached the chair finally, hesitated for a moment, then swiftly made his way round to the front and knelt before the man. After a moment he dared to look up.

The lord with the light hand was as he had been a fortnight ago: young and stern of face. He had over his lap a writing board and paper, and his left hand held a lead stylus. He was silent, looking down upon the youth.

"Lord master," the youth said softly, "I will do my best to repay to you my debt in any way I can." He placed his hand softly upon the inner part of the lord's thigh.

The lord recoiled as though a dung-beetle had run across his privates. He stood up, causing the chair to scream across the marble; the stylus broke in his hand and fell to the ground. His hand upon the writing board had turned white.

The youth, unaware that he was pressing his wrists together as though this might help, resisted the impulse to flee. Staring down at the ground, he whispered, "I thank you for paying my debt, lord master."

"Give your thanks to Hilder." The lord's voice was harsh. "He was the one who found the money for you."

The youth dared to raise his eyes to the crystal chain rising and falling upon the lord's heaving chest. The lord had moved several paces backwards, in the direction of the short flight of stone steps leading to the main door of the estate house. Still gripping his writing board, the lord said, "Hilder will take care of you."

And then he was gone, leaving the youth staring at where he had been, wondering who his new master was who would "take care of" him.
 

Available as a DRM-free multiformat e-book (epub, html, mobi/Kindle, pdf, doc): Debt Price.


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Cover for 'Queue'



"Depositing money in the bank was always the worst problem."

What should a young servant do when his employer may fire him at any moment, his employer's beautiful daughter is absorbed with her high school textbook ("How to be Firm with Servants"), and he's blocked from carrying out a simple task by a snooty cyborg?

This flash fiction blends science fiction with 1960s domestic comedy. It is a side story in Waterman, a historical fantasy series and retrofuture series inspired by the Chesapeake Bay oyster wars, boarding school rivalries in the 1910s, and 1960s visions of things to come.

This is a reissue of an older story.


Excerpt

Depositing money in the bank was always the worst problem. He'd be first in line at three a.m., to give himself enough time for the bank opening at nine a.m., but he always seemed to pick the day when two dozen misters just happened to saunter in, walk right past him to the bank clerks, and spend the next six hours chatting at length with the clerks about their problems. At three p.m., the bank would close, and he'd still be waiting in line. The bank manager would throw him out then, and he'd be left with bruises from the manager's metal claws.

"You should use our computer connection to the bank," Honey suggested, looking up from where she was studying her high-school textbook – vividly illustrated with holophotos – that was entitled How to be Firm with Servants.

She could be delightfully naive at times. "I'm not allowed to use the computer, miss. It's not permitted to servants, by landstead law."

"Well, talk to Daddy, then," she said, tossing back her long hair impatiently. "He'll come up with a solution. He always does."

He didn't talk to his mister – he never talked to the mister about such matters, because he lived in fear that, if he made any complaints, the mister would tire of him – but Honey must have spoken to him, because the next day, right at nine a.m., Mr. Tilbury showed up at the bank and stood behind Foster in the line. . . .
 

Available as a FREE multiformat e-book (epub, html, mobi/Kindle, pdf, doc): Queue.


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I've issued two Waterman collections. One (Master and Servant) is new, while the other (the Waterman omnibus) is an older collection that has been expanded to include the novel The Abolitionist. The only difference between their contents is that the omnibus includes Queue.

Cover for 'Master and Servant'


Another cover, plus blurbs, excerpts, and links to ordering information )
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Cover for 'Unmarked'



"Master Meredith, whose entitlement to a last name had not yet been determined by the courts, was sitting in a window-seat overlooking the playing fields of Narrows School when the Third House bullies found him."

In his final terms of school before his university years, Meredith is faced with a host of problems: A prefect who abuses his power. A games captain who is supposed to protect Meredith but has befriended the prefect. And a legal status that makes everyone in the school question whether Meredith belongs there, among the elite.

Unexpectedly, rescue arrives, in the shape of a fellow student who seems determined to right wrongs. There's only one problem. . . .

"Fair play" is the motto of the Third House, but that motto takes on a different meaning when Meredith is secretly wooed by a young man from a rival House.

This novel can be read on its own or as the third and final story in the "Master and Servant" volume of Waterman, a historical fantasy series and retrofuture series inspired by the Chesapeake Bay oyster wars, boarding school rivalries in the 1910s, and 1960s visions of things to come.

This is a reissue of an older story.


Excerpt

"Let's look at your arm now."

Meredith cautiously turned round. Carruthers stood fully dressed in his school uniform: shoes, trousers, shirt, vest, and a dark blue blazer – blue to represent transformation. No doubt he was entitled to a House cap as well, but he was as bareheaded as always. His hair was the color of yellow cordgrass when sun shone upon it. His eyes shimmered grey like pebbles in a pond. His skin was darker than the usual milky-white shade that distinguished masters from servants; one of the more vicious rumors circulating in the Third House was that Carruthers's parents, who were notorious Egalitarians, forced Carruthers to do servant-work during holidays. Meredith refused to believe the rumor, if only because he could not imagine any servant standing by and allowing Carruthers to do work on his behalf.

Carruthers had turned toward a table beside the students' lockers and was pulling open a first aid kit marked with the symbol of the Red Circle, for Narrows School was one of the few Dozen Landstead institutions that was charitable enough to raise funds for that international, humanitarian organization. "Giving money to the Yclau!" Rudd had once said in anger. One of Rudd's ancestors had drafted the Embargo Act of 1912.

Carruthers – like his father – clearly had no qualms about using foreign technology, for he was pulling out the kit's contents, carefully selected by the school, so as not to contravene the Embargo Act: bichloride of mercury tablets, tincture of iodine, aromatic spirits of ammonia, carbolized petroleum jelly, rubber tubes for tourniquets, adhesive plaster, picric acid gauze, cascara tablets, crystals of hydrated magnesium sulfate, and crystals of potassium permanganate. The last item – used to treat poisonous snake bites – was next to useless for a kit used on a Bay-island school, but some of the school's students who came from the mainland were convinced that every harmless water snake they saw was a venomous water moccasin.

In a prosaic manner, Carruthers focussed his attention on the kit's scissors and roll of bandages. As he cut a small square of bandage off the roll, he said, "Two pieces will do for now, I think, until we've cleaned your arm."

He was holding the scissors awkwardly, and Meredith remembered suddenly that Carruthers had sprained his right wrist at the last footer match. Meredith cried: "Oh, please, sir, let me do that for you!"

A moment later, he would gladly have borrowed Carruthers's heirship dagger and plunged it into himself. Carruthers glanced over at him, but this time he made no comment upon Meredith's eccentric eagerness. He simply handed Meredith the scissors and stepped aside. Meredith cut the final piece, sweat slickening his palms. He could feel Carruthers's gaze upon him.

"There's a bench over there that you might feel comfortable sitting on." Once again, Carruthers was being exceedingly careful in his wording. Meredith went over to the bench; then, at Carruthers's suggestion, he dragged it over to the table where the kit lay.

He felt light-headed as he sat down. The bench – which had been carved with the names of generations of Second House lads – was irregular under his bare thighs. The day had grown warm enough that Meredith had changed, that afternoon, back into his apprentice-aged clothing: short trousers and no blazer, only a vest, with his sleeves rolled up. Now Carruthers had Meredith pull up his right sleeve further so that the cloth would be well away from the cut.

"Fletcher's work, I take it." Carruthers placed his hands around Meredith's forearm and gently pressed the skin next to the cut with his fingers.

"Yes, sir. His cane." Meredith was all too aware now of the firmness of Carruthers's grip, and the tenderness of his probing.

"We'll have to hope, then, that he hasn't been sticking his cane into the ground for picket practice recently." He let go of Meredith. "The cut doesn't look deep, but tomorrow morning, when the school physician arrives, you should go straight to the sanatorium and have him check on you. If you wish, that is," Carruthers carefully amended his command.

"Yes, sir. Thank you, sir."

"He may want to treat you with tetanus antitoxin. In the meantime" – Carruthers's fingers were suddenly on Meredith's forearm again, squeezing hard – "I'll do what I can."

Meredith held his breath as Carruthers squeezed blood out of the cut, then carefully wiped off the blood with one of the pieces of sterile bandaging that Meredith had cut. "This needs a bit of antiseptic," said Carruthers, straightening up. He leaned over Meredith, reaching for a bottle labelled "Peroxide of Hydrogen."

Meredith forgot to let out his breath. Sitting as he was, his face was only inches now from Carruthers's chest. The strong smell of sweat on Carruthers's body had been replaced, after the sponge bath, with a sweet, salty scent that reminded Meredith of Bay water.

"Hold still," said Carruthers as he pulled back, adding, "if you don't mind." He poured a few drops of the antiseptic onto the wound. It fizzed, biting into the fresh wound. Meredith remained still and silent, as he had done when Carruthers had probed his cut and forced out blood.

He looked up from Carruthers's hands to see that the Head was watching him. "You're a player on the Third House footer team, as I recall?" Carruthers said.

"Yes, sir."

"Ah. That explains it." Carruthers turned his attention back to the cut.

Meredith felt a warm glow cover him then. No further words were needed from Carruthers; the Head did not need to say, "You bear pain well." His sentiments were contained in the simple words, "You're a player."
 

Available as a multiformat e-book (epub, html, mobi/Kindle, pdf, doc): Unmarked.


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Cover for 'The Abolitionist'


"The servants were scared stiff of him, and the masters were clearly uncertain what to say to a man who came from such an eccentric House. Nothing was different, nothing had changed. And yet everything had changed since Carr met a young foreigner who showed him not the least bit of respect."

When a foul-mouthed, seditious foreigner turns up at your door, what are the benefits of letting him in? So wonders Carr, a young man living in a bayside nation that is troubled by internal battles. In his world, servants fight against masters, tonging watermen fight against dredging watermen, and landsteads eye one another's oyster grounds with greed. It seems to Carr that the only way in which to keep such warfare from entering his own home is to keep very, very quiet about certain aspects of himself which his family would not be able to accept.

But "trouble" is a word that appears to delight the new visitor. He is ready to stir up danger . . . though he may not be as prepared as he thinks to confront what lies within Carr.

This novel about an unconventional pairing features a special appearance by a character from the Slave Breakers series by Sabrina Deane. The novel can be read on its own or as the first story in the "Master and Servant" volume of Waterman, a historical fantasy series and retrofuture series inspired by the Chesapeake Bay oyster wars, boarding school rivalries in the 1910s, and 1960s visions of things to come.


Excerpt

 "Why do they call it Gunners Cove?" his visitor asked.

At that moment, clear as a crack of Bay ice at the end of winter, came the sound of gunfire. In the same instant, the fleet of the House of His Master's Kindness burst round Bentley Point, rushing like Ammippian war arrows through the grey dawn.

"Down!" shouted Carr, envisioning what would come next; for extra measure, he grabbed his visitor and pulled him prone to the deck.

Aware of his responsibilities as the highest-ranked master on the steamer, he raised his torso high enough to see what lay behind him. But no children were on the viewing deck, and all of the masters – heeding the warning of Carr's shout or of the gunfire – had either fled through the doors to the lower decks or were flattening themselves against the deck. Carr turned his head toward the water in time to see, through the railings, an Oyster Navy schooner dash around Bentley Point, hot in pursuit of the skipjacks. The police had evidently not yet noticed the steamboat ahead, for the cannon on the schooner's bow boomed. The cannonball sped across the water and plunged into the river, just ahead of the steamer. The steamer gave out a loud whistle of protest.

The fleet of His Master's Kindness, sensing salvation, sped toward the steamer, the skipjacks' sails full and proud in the breeze. As the fleet passed the bow of the steamer, Carr caught a glimpse of Rowlett, standing in the foremost boat and shouting orders to the captains of the boats behind him. Then the skipjacks were out of sight, hidden behind the squat steamer.

The Oyster Navy sent another rain of rifle bullets in the direction of the fleet. Some of the bullets hit the steamer; women screamed on the lower decks. Then the rifles were silent; the naval police dared not fire at the skipjacks once they were hidden behind a steamer crowded with masters and their families. Already, Carr could hear the masters behind him growling their indignation at the policemen's action.

"You give fucking exciting tours, Carruthers," his visitor said cheerfully as he rose and brushed the dust off his recently bought trousers. "Who's the boys in blue over there? The ones who are looking like the mice got away from the cat?" He pointed at the police schooner, which – in defiance to watermen's tradition – was painted blue to represent the policemen's desire to transform criminals. The schooner had stopped alongside the steamer, no doubt so that the police could check that they had not injured any masters.

"Excuse me," Carr said, his voice more rough than he would have liked. "I need to see whether anyone was hurt on the other decks."
 

Available as a multiformat e-book (epub, html, mobi/Kindle, pdf, doc): The Abolitionist.


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Cover for 'The Balance'

"'The Eternal Dungeon is my home now,' the High Seeker said. But as he spoke, he lifted his face and looked at the Vovimian carving, as a man might look at a beloved he must leave forever."

The Seekers (torturers) in the Eternal Dungeon have always expressed contempt toward the Hidden Dungeon in the neighboring kingdom of Vovim, whose torturers abuse prisoners without restraint. But the balance between mercy and hell is not so clear as might be thought in either dungeon, and now that balance is about to tip. Only the strength of love and integrity will determine the paths of two Seekers whose fortunes are bound together.

This novel can be read on its own or as the third volume in The Eternal Dungeon, an award-winning historical fantasy series set in a land where the psychologists wield whips.
 

VOLUME CONTENTS

"Truth and Lies." When you're a prisoner, having a torturer who's mad can be an advantage. Or maybe not.

"Barbarians." Vovim was renowned for its strong monarchy, for its love of the theater, and for its skill in the art of torture. In other words, it had all the qualities needed to become a civilized nation. But would anyone be willing to defy Vovim's tyrannical king? And if they did, would they survive?

"Hidden." He had been given the kindest, gentlest torturer in the dungeon. The prisoner was left with only one hope: that he could teach his torturer how to be cruel.

"Death Watch." Death lurks everywhere in the Eternal Dungeon . . . even in a torturer's bedroom.

"Balladeer." Sometimes it takes an outsider to point out the obvious.

"The Balance: Historical Note."


Excerpt

The corridor he stood in was very dark. With the furnace doors closed, the only light came from half a dozen oil lamps bracketed to the walls. The lamps were fitfully sputtering.

He tossed a coin in his mind and began walking slowly south, in the direction of the bats. There were doors all along the eastern side of the corridor, opposite to the furnaces, but none of the doors were marked in any way. He tried the knob of one of the doors, but it was locked.

He reached the last of the furnaces and paused, uncertain. A further stretch of corridor lay ahead of him, but the doors on the eastern side had ended. Was it worth travelling on and risking meeting one of the Eternal Dungeon's notoriously skilled guards?

It was at that moment that the Seeker entered the corridor from the west.

Yeslin received only a glimpse of him, for the Seeker immediately turned right, in the direction of the southern end of the corridor, and then disappeared through another western doorway. All that Yeslin caught was an impression of black. Black boots, black trousers, black shirt, and, of course, the mark of a Seeker: the black hood that hid a Seeker's entire head.

Yeslin stood irresolute for a moment more. The Seeker he had seen could not be the High Seeker; he knew that much. But tangling with torturers of any rank seemed the ultimate in danger. Moreover, what likelihood was there that the Seeker would give Yeslin the information he needed? These men were trained to extract information, through horrific means; Yeslin doubted that their training extended to giving out information to a passing stranger.

He thought this and felt his feet carry him forward. He realized afterwards that what carried him forward was not any conscious thought, but a sound: the very faint sound of machinery.

The sound of machinery grew louder as he approached the doorway that the Seeker had entered. Yeslin paused at the threshold, and not only because of the danger which the Seeker represented. He was pausing in awe of what lay beyond that doorway.

It was a steam engine – his ears had already told him that – but it was the biggest steam engine he had ever seen in his life. It was rigged up with what Yeslin could only describe as a giant's accordion. Two accordions, one squeezing down at the same moment that the other accordion released itself with a whoosh. Squish and release, squish and release – the two accordions worked in harmony with each other as the great steam engine that ran them pushed its rod-arms backwards and forwards.

Standing in front of them, with his back to the doorway, was the Seeker. The sound of the steam engine had evidently hidden the sound of Yeslin's footsteps, for the Seeker did not turn around as Yeslin entered the room. The torturer had his head tilted back, in evident contemplation of the machinery. Yeslin could imagine a Seeker being fascinated by the workings of a rack or another instrument of torture, but a Seeker who seemed wholly absorbed at the sight of less destructive machinery . . .

Yeslin closed the door. The Seeker's back stiffened. Then the Seeker turned. Yeslin could see nothing except his eyes, which were a deep blue.

"Mr. Taylor?" Yeslin heard that his own voice was shaking.

For a moment, the Seeker remained still, leaving Yeslin in an agony of certainty that he had misidentified the man. Then the Seeker raised his hands, pulling up the portion of his hood that hid his face.

It was indeed Elsdon Taylor. He looked tired, but no more so than the last time Yeslin had seen him. His face remained youthful.

"Yeslin Bainbridge." Elsdon Taylor's voice was incredulous. "How in the name of all that is sacred did you get in here?"

The dipping of his eyes was automatic. He did manage to keep from going down on one knee. But it had been three years since he had last met Elsdon Taylor, so very briefly, and though they had exchanged letters since then, he had not been able to communicate with the Seeker for the past fourteen months. Men can change a great deal in the space of fourteen months, particularly when they spend their nights torturing prisoners. . . .

"Yeslin." There was an indefinable shift in Elsdon Taylor's voice which caused Yeslin to look up. The Seeker was smiling now. He opened his arms. "Sweet one."

Yeslin came forward to accept the embrace of his brother.
 

Available as an e-book (HTML, PDF, Kindle, ePub): The Balance.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for the 2013 edition of 'The Three Lands'


Koretia, Emor, and Daxis were all founded on the same day, but as the centuries have passed, the Three Lands of the Great Peninsula have become increasingly divided by religion, government, and culture. Koretians worship many gods, Daxions worship one goddess, and Emorians revere only their law. Emorians claim that Koretians are vicious and superstitious, Koretians think that Daxions are vile oath-breakers, and Daxions charge that Emorians abuse their children and slaves.

If a god were to appear in the Three Lands, would his appearance bring an end to the fighting between nations? Or would he merely help to spark an inferno of war?

As the inhabitants of the Three Lands struggle to adjust to the appearance of an unexpected visitor into the human world, two people will play crucial roles in the conflict. One is a young Emorian – clever, courageous, and affectionate – who will come to understand the Koretians with a depth and intimacy that few others of his land can match. The second person is a Koretian boy whom the Emorian will seek to destroy.

This 2013 edition of the omnibus is expanded to half a million words. It provides a bundled collection of three novels, two novellas, and a novelette in The Three Lands, a multicultural fantasy series on friendship, romance, and betrayal in times of war and peace.

This is a reissue of older stories.


Excerpt

"How will the Chara avoid becoming the Jackal's next victim?"

"The Chara hopes," said Peter with a smile, "that his subject Andrew will not be leading him into any more ambushes. But in any case, I won't be travelling as the Chara. It appears that the Jackal doesn't murder Emorian lords at random, so I should be safe if I don't call attention to myself, but instead journey to the governor's palace in the company of one or two other lords." He paused, searching my face. "I may take a few lesser free-men along as well."

I did not move my gaze from his, but my expression remained masked. "Are you asking me to come with you, Peter?"

His voice, when he replied, was gentle. "I wish that it were Peter who was asking. I would like to say that the only reason I am asking you is because I, Peter, would like my friend to be able to visit his childhood home. But the fact is that the Chara is requesting his servant to accompany him so that, with your special background, you can find me information that I may wish to use against the Koretian rebels and their Jackal. I need you to be a spy in your own land."

I still did not move, but now that the words were said, I felt my heart ease somewhat. "Thank you for putting that so clearly, Chara," I said softly, "but I have only one land, which is Emor, and only one master, which is you. When I gave my oath of loyalty to the Chara, I did not say that I would serve you only on condition that you not give me any hard tasks to do. If you need my help, then I will gladly come with you to Koretia."

He bowed his head to me, as though he were the servant and I the master.. . .
 

Available as an e-book (HTML and PDF): The Three Lands: an omnibus of fantasy novels set in the Great Peninsula. An earlier, shorter edition remains available in ePub and Kindle formats.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for 'Men and Lads / Lord and Servant'

"He twisted his head around to give a despairing look at the brakeman. Beyond him, the open boxcar door revealed that the train was presently making its way along a trestle over a steep ravine. If he jumped now, he would certainly end up dead at the bottom of the gorge. It wasn't clear whether the brakeman cared."

Two guards. Two prisoners. A multitude of problems.

As a tramp beats his dangerous way to a new destination on the Western Mippite Railroad, he is joined by a prison guard seeking guidance on a difficult prisoner. The guard's guidance must come from a man who is longing for a human bond . . . but who has a reputation to establish.

Meanwhile, a tramp and a lord may seem to make an odd pair. But Compassion Life Prison is an odd place to start with, and the tramp has his own perspective on life there.

This novella-sized volume contains two related side stories in the Life Prison series. The costs of corruption and integrity are examined in this multicultural historical fantasy series, which is inspired by prison life at the end of the nineteenth century.

"Men and Lads" is a reissue of an older story. "Lord and Servant" is a new story.


Excerpt

Starke had never seen machine rifles in operation, but he had heard of the destruction they had caused during the final years of the Thousand Years' War. Those had been lumbering machines, difficult to move and operate, requiring an extra man to feed the ammunition. But this new design . . . Sweet blood, it looked as light as an ordinary rifle, and it was fed, not by an ammunition belt, but by magazine boxes.

The perfect gun to carry into battle . . . or to hold back murderous prisoners.

The Assistant Keeper shook his head. He was twenty-eight, four years younger than Starke, but he always had a certain gravity about his manner that made him look older – at least, he seemed that way to men who hadn't seen him in his bath, squealing as he played with a wooden duck decoy. That had happened when Tom was twelve, but it was an image impossible to forget.

Now Tom said, "Yclau won't sell arms to us. But in lieu of machine rifles . . ." He passed the accompanying letter to Starke.

Starke's eyebrows shot up as he scanned the missive. "To us? These are the same magisterial seats who have told us time and again that it's perfectly possible for twenty guards to control a thousand prisoners, using nothing but whips and daggers?"

Tom smiled. "They changed their minds."

Starke eyed him. Whenever Tom grew cagey with information, it was a sure sign that he had been involved in the event. No doubt he had sent letter after letter to the magisterial seats, arguing in favor of better weapons.

"Well," said Starke, folding up the letter, "at least we'll be able to use ordinary rifles. That will help with guarding the entryway." He pointed to the gunners' post.

"And even more with the prison itself." Tom took the letter from him, placed it and the blueprint back into the envelope, and carefully tucked the envelope into the inner pocket of his jacket. "If those prisoners ever decide to try to make a mass dash through the prison gate when we open it . . . Well, may the gods help us. Regretfully, we would need gunfire to hold them back."

The "regretful" part of the statement, Starke knew, did not have to do with the guards' lack of defense against the vicious prisoners. Tom always had a soft spot where convicts were concerned. Starke had given up trying to point out to Tom the folly of having a gushy heart toward men who had been sent to prison for life for their premeditated murders and rapes. "Where will you place the second gunners' post? Above the guards' post?"

Tom nodded. "The balcony opposite the prison gate will provide the best view for the gunners . . . if we can obtain the gunners. What worries me, Mr. Starke, is not whether we will get the rifles; my worry is who will man the gunners' posts."

"Ah." Starke reflected that Tom had a gift for pinpointing troubles. "How many guards are certified for gunnery duty?"

"You. Me. Mr. Landry. And our Keeper, of course, but he can't be expected to take gunnery duty. Nor can I, most days, because of my extra duties as Assistant Keeper." Tom shook his head. "Mr. Starke, we cannot protect this prison with only two active gunners. We need more guards who are certified to man firearms."

Starke made no reply. He knew that Tom was already aware that the best place in Mip to find certified gunners was in the Mippite army. Tom also knew how slim his chances were of persuading any soldiers to transfer their talents to a life prison. The army despised the life prisons, considering them a never-ending source of trouble, since it was the soldiers who were called upon to round up escaped prisoners and put down riots.

At Compassion Prison, only two guards were former soldiers. One was Landry, who was rumored to have requested a transfer from the army in order to escape incipient charges regarding his conduct with a neighborhood girl. The other soldier was Starke. Starke knew well enough why he had originally transferred to Compassion: out of curiosity to see why, by all that was sacred, the life prisons couldn't keep their prisoners under better control.

What puzzled him was why he was still here at Compassion, sixteen years later.
 

Available as an e-book (HTML, PDF, Kindle, ePub), with an online sample; the first story in the e-book is also available as online fiction: Men and Lads / Lord and Servant.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for 'Twists and Turns'

"'Sweet blood, no,' he whispered. 'Not now. Please, any time but now.'"

Only the loyal presence of one man has kept him alive. Now that man's loyalty is about to be tested.

In the queendom's royal prison, a young torturer is forced to choose between his principles and his love. At the same moment, a homeless boy living elsewhere in the queendom's capital receives comfort and compassion from a rich man mourning the loss of his son. But when the boy decides to fight the Eternal Dungeon's torturers in order to defend the liberty of his patron, he comes to realize that his battle must extend further than he had expected.

This novella can be read on its own or as the second story in the "Transformation" volume of The Eternal Dungeon, an award-winning historical fantasy series set in a land where the psychologists wield whips.

This is a reissue of an older story.


Excerpt

The orchestra paused; during the interval, the words of the song outside could be clearly heard. It was The Ballad of the Dying Prisoner, which was one of Yeslin's favorites, but before he could judge whether the ballad was well rendered by its singer, the violins had started up another sprightly tune. Under the renewed cover of their notes, Yeslin walked closer to the earnest-looking guests. He could hear now what they were saying.

". . . no heirs to leave his house and business to. There was only the one son, and he's gone."

"And the daughter too."

"The son killed the daughter, did you know that?" One of the women, in a bright red gown, announced this piece of tired gossip as though unveiling a new fashion. "I saw the body after it happened – the sight was simply shocking. I had nightmares for days afterwards."

"I told you that you shouldn't have looked, sweet one," said the man beside her.

"Oh, but I had to see what had happened, didn't I? I mean, it happened right next door to us. And her father was with us when the screams started. You should have seen the look on his face!"

"I heard that, when they arrested the son, his face was as cold and remorseless as though he'd killed a dozen girls – is that so?"

"Utterly remorseless." The woman in the red gown nodded. "I saw it myself."

"I'd have described his expression as stunned," said the man beside her.

The second man gave a sharp laugh. "Stunned at his success? I'd imagine so. Not many murderers can accomplish so bloody a killing without any weapons."

"The poor man." Another of the women, wearing a gown of sparkling beads, cast a glance at the figure lying motionless on the bed. "To lose his daughter in such a way, and for the murderer to be his own son . . ."

"That's not what I heard," said the third woman abruptly. She had been busy inspecting her face with a palm-sized mirror, which she now slipped into her purse. "I heard that the girl's true murderer was her father."

Several members of the group looked instinctively around to see whether anyone was close enough to hear. All that they saw was a commoner youth kneeling down to wipe up a drink that had spilled. Reassured, they leaned in closer to listen.

In a satisfied tone, the woman with the mirror said, "I heard all about it from De Vere – he works at Parkside Prison, you know, and he attended the son's trial. The son testified that, when he was quite young, his father murdered his mother—"

"No!"

"Oh, yes. And the son said that his father used to tie him to his bed and beat him till he was bloody. And that drove the son out of his mind, and that's why he killed his sister."

"He couldn't have been as crazy as all that if he was giving testimony," the second man objected with a snort.

"Still, you never know. The kindest looking men may hold dark secrets in their lives. . . ."

Everyone turned to look at the figure lying motionless on the bed. After a moment, the woman in the red gown said, "You know, now that I think of it, the son's expression really was stunned."

"Stunned with remorse, no doubt," her husband supplied.

"Or stunned with craziness," suggested the woman with the bright beads. "Completely driven out of his mind by his father's cold-hearted abuse."

"Or the son could have lied about it all," persisted the second man, evidently relishing the role of expressing the minority viewpoint. "He could have made it all up to save his own life."

"Well, he didn't succeed, did he?" remarked the first man.

"He succeeded well enough to save himself from the hangman."

"But the magistrate gave him over to the Seekers. How long do you think prisoners survive in the Eternal Dungeon?"

The woman in the beaded gown gave a dramatic shiver. "Oh, please, let's not talk of such things."

"De Vere told me that, when the son wasn't sentenced to a hanging, his father was furious," said the woman with the mirror. "And he was only satisfied when he learned that the son would be handed over to the hooded Seekers to be tortured for the remainder of his life."

"Let's hope his life was short, then," said the woman in the red gown, who was now dabbing at the corners of her eyes with her handkerchief. "Poor boy. That he should have been driven to such a terrible deed by so cruel a father . . ." She glared in the direction of the man on the bed.

"Really, you know," said the second man, "I'm not at all sure we should have come here today. He doesn't deserve our presence." He turned to take another glass of champagne from one of the passing servants.

Yeslin, putting aside the champagne glass he had picked up from the floor, took a step toward the speakers, and then felt his body yanked back with a painful jerk. Twisting his body to look, he saw that he had been hauled back by Harden Pevsner.

Mr. Pevsner was proof against the saying that face reveals character. He had bland blue eyes, and hair the color of wheat in sunlight. In this respect, he looked very much like his brother.

His hand was tight upon Yeslin's arm, though, as he hissed, "If you cannot keep from glaring at the guests, you ought not to be here."

"But they're telling lies about him!" Yeslin whispered back. "And they're dancing and laughing. . . ."

Mr. Pevsner's grip bit down yet harder as he gave a thin smile at the red-gowned woman, who was now staring with curiosity at the nearby scene. Pulling Yeslin away from the crowd, toward the western window, he waited until they were beyond hearing of the men and women before saying in a soft voice, "The death vigil is intended to give a dying person the opportunity to see his friends and neighbors for a final time – not in mourning, which would be inappropriate for a man facing his rebirth, but visiting in joy in order to remind him of the transformation he will soon undergo. I know that this is hard for you to understand, since you do not have such customs where you come from."

The words, which would have been a gentle reproof if spoken by Mr. Pevsner's brother, were voiced like a falling lash. Yeslin felt himself grow cold. He had forgotten how important it was – so very important – not to act in any way that reminded Mr. Pevsner that he did not belong in this room, but instead should be outside on the streets, where the singing continued.
 

Available as an e-book (HTML, PDF, Kindle, ePub), with an online sample: Twists and Turns.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for Law of Vengeance

For over twenty years, Lord Carle has told the heir to the Emorian throne that vengeance is only the other side of mercy, and that disobedience and treachery should never be forgiven. Finally it seems that his message has been received. Which makes it all the more unfortunate that Carle should have chosen this moment to break the law.

As war threatens and the foundations of his life crumble, his only hope for rescue lies with a man who has every reason to hate Carle.


Excerpt

For many years, I have wished to make a memoir of my life to pass on to future generations of Emorians who desire to learn what it means to have complete dedication to the Chara and his law. This is not to be the memoir I intended, but I find the time passing slowly here in the Chara's dungeon, and I would rather spend my days thinking of what has happened than of what is to come. For in one month's time I will be taken before the Chara so that he may pass judgment on me. After that – for we Emorians move swiftly in these matters – I will be taken to the execution yard, and my head will be sliced off.

It is a gentler punishment, says the Chara, than I deserve.

He told me this last night when he came to see me. He stood at one end of the cell, leaning back against the wall with his arms folded, and wearing the cold smile I knew he had learned from me. His tunic-flap was pinned shut with his royal emblem brooch depicting the Balance of Judgment, the Heart of Mercy, and the Sword of Vengeance. He has worn the brooch nearly every day since I gave it to him when he was a boy, but I knew from his look that he had worn it this time in mockery.

Mockery is an activity in which he has had much practice since my arrest. He has commanded me to address him as Peter, since I was always reluctant to presume upon our friendship and address my ruler in so familiar a fashion. By the same token, he calls me Lord Carle, though I am no longer a council lord and will soon be nothing more than a court case that may interest future generations, since I am the first man in four hundred years to be charged with this particular crime.

The Chara Peter says I ought to be happy to die in such a manner, because I have never loved anything more than the law books. He is right that I love the law, just as I have always loved the embodiment of the law: the Chara, who keeps this land alive through his judgment of the Emorian people. But it was not until my arrest that I realized what I love as much as the Chara and his law: the man named Peter, who for the past twenty-two years has been to me the son I never had.



Available as an e-book (HTML, PDF, Kindle), with an online sample: Law of Vengeance.

duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for 'Spy Hill'

On a hot summer's day, on a high hill surrounded by the enemy, the best battle-companion can turn out to be the truth.


Excerpt

"Prayers," murmured Fairview as he knelt down beside me to look at the shallow trench. It went down barely a foot before the sappers had hit rock.

"How many prayers do you know?" I tried to smile.

"Oh, plenty." Fairview turned to accept a sip of water from Davey, who was holding Fairview's water bottle. "When we joined the navy . . . do you remember that day?"

I nodded. "I was just remembering. We flipped to see who went first in line."

Fairview laughed. "Did we? I'd forgotten that, after all these years. Well, the night before we joined, I went to my grandmama and asked her what advice she had for me. My grandpapa had been a soldier, and I thought she might have overheard him talking about military matters before he died."

"Indeed?" I relaxed back onto my haunches. Around us, the enlisted men were tidying up after their breakfasts, while their officers checked to see that everyone's rifle was loaded, everyone's extra ammunition was at hand. In the dressing station, doctors and their assistants carried out final preparations. There was no sign yet of the stretcher-bearers and water-carriers, though I knew that Fairview had sent orders for their arrival, after he discovered that the General had neglected this task.

Fairview nodded, pushing back his helmet. The morning sun was growing brighter; an occasional bird flew past us, chirping brightly. Otherwise, all I could hear was the equally bright chatter of our men. "She taught me as many battle prayers as she could recall, and then she said, 'Alec my boy, the most important thing to remember is to put your affairs in good order before you go into battle. It's no use worrying about your affairs, once battle has begun. You need to do beforehand everything that needs to be done. The Fates get awfully annoyed at you if you arrive in afterdeath and tell them you've forgotten to do something. It's like leaving a stove fire going when you depart the house."

Fairview's messenger-lad put his hand over his mouth to smother his titter. I laughed outright. "And have you followed her advice?"

Fairview gave a quirk of a smile. "I suppose not. I've always been poor at tending to needed tasks."
 

Available as a free multiformat e-book (for a limited time) and as a Kindle e-book: Spy Hill.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for The Three Lands Omnibus

Koretia, Emor, and Daxis were all founded on the same day, but as the centuries have passed, the Three Lands of the Great Peninsula have become increasingly divided by religion, government, and culture. Koretians worship many gods, Daxions worship one goddess, and Emorians revere only their law. Emorians claim that Koretians are vicious and superstitious, Koretians think that Daxions are vile oath-breakers, and Daxions charge that Emorians abuse their children and slaves.

If a god were to appear in the Three Lands, would his appearance bring an end to the fighting between nations? Or would he merely help to spark an inferno of war?

As the inhabitants of the Three Lands struggle to adjust to the appearance of an unexpected visitor into the human world, two people will play crucial roles in the conflict. One is a young Emorian - clever, courageous, and affectionate - who will come to understand the Koretians with a depth and intimacy that few others of his land can match. The second person is a Koretian boy whom the Emorian will seek to destroy.

This omnibus contains all the current stories in The Three Lands, a fantasy series on friendship, romance, and betrayal in times of war and peace.

I had come to tell him, in the cheerful manner boys have, that our world was about to be destroyed.
duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for Waterman Omnibus 2010

Meredith is from the Eastern Shore of the Bay. Carr is from the Western Shore. . . .

This omnibus contains all the current stories in Waterman, a historical fantasy series and retrofuture series inspired by the Chesapeake Bay oyster wars, boarding school rivalries in the 1910s, and 1960s visions of things to come.

Parental supervision is strongly suggested.

"It was a good life – hard but good – before the wars began with them dredgers."
duskpeterson: An apprentice builds a boat as a man looks on. (Default)
This is flash fiction for my upcoming Prison City retrofuture series, which is partly set in a 1960s world that has Jetsons-like devices. It was written in response to this prompt by Lothy at the slavefics LJ community.

Depositing money in the bank was always the worst problem.
duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for Master and Servant

Born into a society with a strictly ranked system of masters and servants, Carr has sought to tred his way delicately between the clashing values of the parents who raised him and the uncle whose household Carr will one day live in. Yet when he and other students at his boarding school become the latest participants in an ongoing battle between the oystermen of their bay, Carr finds that his position of power may bring danger, not only to himself, but also to a schoolfellow he is drawn toward.

Master and Servant is the first volume in Prison City, a retrofuture series based on the Chesapeake Bay oyster wars, homoeroticism in British public schools in the 1910s, and 1960s visions of things to come.

Parental supervision is strongly suggested for this story.

Rudd, who had watched Meredith through narrowed eyes for the first week or two, gradually lost interest in scrutinizing the activities of his fag.
duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for Blood Vow

He has taken a blood vow to the Jackal God to bring freedom to his land by killing Koretia's greatest enemy. But what will he do when the enemy becomes his friend?

Thrust into exile and pain, young Andrew has no choice but to accept the friendship of the very person he had vowed to kill. When he returns with his friend to his homeland fifteen years later, though, he finds himself in a land of conflicting loyalties . . . where a vengeful god awaits him.

This novel is part of The Three Lands, a fantasy series set in a multicultural world where conflicts over law and spirituality provide opportunities for friendship and romance, and for betrayal.

I had come to tell him, in the cheerful manner boys have, that our world was about to be destroyed.

August 2017

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