duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Re-creation

"He could not leave this room without his father's permission. And he could not imagine going to his father and saying, 'Please let me go gather moss so that my slave can have a proper New Year for once.'"

What can you give a slave who, by law, can own nothing? That is the question faced by Peter, the teenage heir to the throne of an empire. Despite his father's desire that the imperial heir maintain a formal distance from servants, Peter finds himself drawn in friendship to the younger boy who serves as his slave.

But a shocking revelation on the eve of the New Year forces Peter to confront his own motives for keeping the slave close by. And that in turn will help him understand the deeper meaning of the gift-giving festival.

This novelette is a holiday tale that can be read on its own or as a side story in The Three Lands, a fantasy series on friendship, romance, and betrayal in times of war and peace.

A 2008 holiday gift story for Dusk Peterson's readers. This is a reissue of an older story.
 

Reader reviews at Amazon

"Wonderfully written. A harsh tale told by the slave to a boy too young to really understand it at first. Over a few days a boy grows up and learns just how unfair his world is." —Gina.

"This novelette was a compelling read. It inspired thought, evoked emotion (sympathy, pity, anger, and ultimately a bit of happiness). . . . The story (for me) showed a glimpse in time when a boy became a man." —Christine Staeven.

"When I started reading, I had no idea where this would go. The prince was very naive. The slave a bit too hardened. But it all became clear and a friendship developed. . . . Such a short tale left me with much to think about." —Lee Phillips.

Full reviews at Amazon.


Excerpt

"Well," said Peter uncertainly, "it looks a bit like a Balance of Judgment."

He glanced over at his new slave-servant to see whether he agreed. Andrew was kneeling on the floor, carefully rolling bits of clay and attaching clay crossbars to them so that they held a vague resemblance to the Sword of Vengeance.

For a moment, Peter thought Andrew would not reply. It was becoming increasingly hard to tell which comments the other boy would reply to. If asked a direct question, Andrew would of course respond; that was part of his training. But slaves were also trained not to speak to free-men unless spoken to, and Peter had not yet figured out a way to convey that he wanted to hold ordinary conversations with his slave.

Could any conversation be ordinary, when the other person had  no choice but to speak if bidden to?

Andrew said, without looking up, "I suppose that we'd need an Arpeshian to tell us."

Peter laughed. "And I don't know any Arpeshians. Do you?"

"A couple. They were young children when your grandfather, the Chara Anthony, suppressed the first rebellion in the dominion of Arpesh."

Peter started to make some light-hearted remark about Andrew being well-versed in Emorian history; then he bit his lip. No doubt all of the inhabitants of the palace slave-quarters were well-versed in the parts of Emorian history that related to wars in which the Emorians had taken slaves. Andrew could almost certainly give a detailed account of the Border Wars between Emor and Koretia.

To cover his chagrin, Peter said, "The Balance is hard enough to make." He gave another doubtful look at the object in his hand, made up of scrap bits of metal joined together by sticky sap. "I don't know how we'll manage to make the Book."

"You needn't worry about that." Andrew reached over to gather a bit of clay, and as he did so, his back came into sight. He was wearing a slave's tunic, of course, which meant his back was bare . . . except for the bandages there. "I know how to make books."

"You do?" Peter asked, surprised. He had turned his eyes away; he still could not stand to look at Andrew's back, even though the bandages hid what Lord Carle had done to him, barely a week before.

If Peter had been beaten nearly to death, he thought he would have spent the next six months moaning in his bed. Instead, Andrew seemed determined to rise from his sickbed. Peter wondered whether Andrew believed that he would be sold back to Lord Carle if he did not immediately show his worth to his new master.

Peter would have as soon impaled himself on the Sword of Judgment as give Andrew back to the master who had ordered an eleven-year-old boy to be beaten so harshly. Lord Carle had meant well, no doubt, but Peter still could not imagine why the council lord had found it necessary to go to such measures. As far as Peter could tell, Andrew was an extremely obedient servant.

Perhaps too much so. Peter looked down once more at the pathetic little object in his hand that purported to be the Balance of Judgment. Judgment weighing vengeance and mercy.

"We've forgotten about the Heart of Mercy," he said suddenly.

"I know how to make that too," Andrew replied, inspecting the tip of the clay sword in his hand.

"You're a wonder," Peter said, setting the lopsided Balance aside and rolling over onto his stomach. They were in his chamber, of course, which meant that the only places to sit were some stiff-backed chairs, the bed, and the floor. Andrew seemed to prefer the floor, though Peter had invited him onto the bed each day since the younger boy became his slave. Peter supposed this was due to some Koretian custom; he resolved inwardly to ask Andrew about that. After all, Peter's ostensible reason for having Andrew as his slave was to familiarize himself with his empire's southern dominion of Koretia. Peter's father – who was legally Andrew's owner – had said that mastering Andrew would help Peter learn how to rule his subjects.

"How did you learn to make crafts?" he asked Andrew.

"From a friend."

Peter waited, but no further details emerged. Finally Peter said, "Was he a craftsman?"

"He was a boy. But he lived with the priests, and they trained him at artisan work, in case he should need such work when he grew up and—" Andrew shut his lips tightly. He bowed his head, as though concentrating all his thoughts on the clay he was flattening with his fingers.

Peter felt then that he deserved the beating Andrew had received. A friend. A boy whom Andrew had known in the Koretian capital. Probably the boy had been enslaved during the final battle there, if not killed outright. And Andrew had been forced to speak of him.

To Peter, Chara To Be, son of the ruler who had conquered Andrew's native land.
 

Available as a FREE DRM-free multiformat e-book (epub, html, mobi/Kindle, pdf, doc) or as online fiction: Re-creation.


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Cover for 'Barbarians'


"With a movement too quick to see, the master torturer used his whip to send the prisoner to his knees. 'Crawl,' he said in the flat voice a man might use toward a stubborn animal."

Vovim was renowned for its strong monarchy, for its love of the theater, and for its skill in the art of torture. In other words, it had all the qualities needed to become a civilized nation. But would anyone be willing to defy Vovim's tyrannical king? And if they did, would they survive?

Grieving over an acrimonious departure from his love-mate, a youthful ambassador from the neighboring nation of Yclau has come to Vovim on a mission to help that barbaric kingdom's prisoners. But he faces unexpected barriers: An insane young king. The king's effeminate companion, who holds his own plans for the ambassador. And a populace whose greatest wish, it seems, is to see the ambassador die during a theatrical performance.

Then arrives the only Vovimian who seems to have a shred of sanity to him. But this man is a skilled torturer, and he is hiding depths that even the ambassador may not be able to penetrate.

This novella can be read on its own or as the second story in the "Balance" volume of The Eternal Dungeon, an award-winning historical fantasy series set in a land where the psychologists wield whips.

This is a reissue of an older story.


Excerpt

Though the Code forbade Seekers all private belongings, long-standing custom permitted them a small allowance for luxuries. The High Seeker, being Vovimian-born, spent most of his allowance on books and art, and one evening in autumn, while the rain beat upon the crystalline rock that shed the only light into the underground Eternal Dungeon, the High Seeker had shown Elsdon Taylor an etching of a Vovimian theater company in performance. For the next two hours, Elsdon had listened with fascination to the talk of stage scenery and costumes, of introductory mimes and dramatic dialogues, of divisions into acts, of conflicts, climaxes, and finales, and (since this was, after all, a Vovimian theater) of bloody corpses on the stage afterwards, and of the theater companies' decision whether to fake the deaths or use criminal volunteers who had decided to let their execution be a final act of theater.

"But don't the condemned criminals panic at the last moment and spoil the show?" Elsdon had asked.

The High Seeker had bestowed upon Elsdon that look he often gave when they were discussing his native land, as though a lifetime of words could not complete Elsdon's education in this matter. All he said, though, was, "Not in Vovim."

Elsdon had spent the following night dreaming that he was watching a play in Vovim, performed by the world's finest players. For the next few weeks, his thoughts had lingered upon the regret that he would never have the opportunity to watch a Vovimian theater performance – not unless luck turned his way.

Luck, unfortunately, had turned his way. Amidst all his past dreamings, it had not occurred to Elsdon that he might take part in the performance himself, and that he would play the role of the criminal.

It was perhaps not surprising to learn that the King's palace was equipped with a theater, nor that the theater was located directly across the hallway from the throne room. Nor was it particularly surprising to learn that all of the courtiers and palace guests who had been milling about in the hallway, waiting for the King to emerge from his private audience with his High Master, were delighted to accept the King's invitation to enjoy the performance. They crowded into the vast theater, jostled their way into cramped rows, and stood on benches at the back and sides of the theater in order to get their best glimpse of the stage.

The stage itself had been stripped to the bare minimum, making a striking contrast with the fripperies and frills that usually adorned a royal performance. At Master Toler's orders, the only scenery left on the stage was a blood-red curtain, which would make for an arresting contrast with both the master torturer's uniform and the prisoner's lack of clothes. The middle part of the curtain had been pulled up to reveal the naked stone wall behind, and here a wooden post had been fastened to the stage floor. Attached to it halfway up was a set of iron chains, which sparkled under the lamps. The other lamps in the room shone their light on the stage, or on the narrow walkway leading from the theater door to the stage.

Elsdon made his entrance down this walkway. He was not permitted to walk.

"Crawl," said Master Toler.
 

Available as an e-book (HTML, PDF, Kindle, ePub): Barbarians.


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Cover for 'Hidden'


"One hundred lashes today. At least, it was supposed to be one hundred lashes, but my darling torturer (I call him that to annoy him) was fooled when I pretended to faint after the fifteenth lash. He didn't even order the guards in the corridor to poke me back to wakefulness with their bayonets. Makes me ashamed to acknowledge that we belong to the same profession."

He had been given the kindest, gentlest torturer in the dungeon. The prisoner was left with only one hope: that he could teach his torturer how to be cruel.

When the High Master of Vovim's Hidden Dungeon is arrested and placed in the hands of one of his own men, High Master Millard's immediate instinct is to show his torturer how to do a better job.

But Millard is facing seemingly insuperable odds: a lackluster torturer, a bitterly insane king, and most of all, Millard's own doubts as to whether he will be man enough to face the coming ordeal.

Perhaps he won't. And perhaps that is part of the lesson he needs to learn.

This short story can be read on its own or as the third story in the "Balance" volume of The Eternal Dungeon, an award-winning historical fantasy series set in a land where the psychologists wield whips.

This is a reissue of an older story.
 


Excerpt

Day 3: One hundred lashes today. At least, it was supposed to be one hundred lashes, but my darling torturer (I call him that to annoy him) was fooled when I pretended to faint after the fifteenth lash. He didn't even order the guards in the corridor to poke me back to wakefulness with their bayonets. Makes me ashamed to acknowledge that we belong to the same profession.

Afterwards he complied with my request for pencil and ledger-book. He even sharpened the pencil for me with his dagger. Idiot, idiot, idiot. Doesn't he realize what could be done to him if anyone finds out he's giving special favors to me?

Why am I surrounded by incompetents? This dungeon is filled with torturers who bungle simple rackings, burn themselves on their own pokers, and grow enamored with their prisoners and help them escape. I'm glad Toler isn't here to witness this.

Day 4: Another attempt at the hundred lashes, another bluffed faint. This time my darling torturer brought water to me. Any hopes I'd had, though, that he would dash it in my face were frustrated when I discovered that he was planning to give me water to assuage my thirst. I would have screamed at him, but I was too busy gulping down the water. It's been four days since I was allowed to eat or drink.

I reminded him of his duty afterwards, though. He looked hurt, and then slapped me to the ground. There might be some hope for him yet.

Day 18: The gap in time is because we actually managed to finish the hundred lashes. Instead of immediately following up on his advantage, though, my darling torturer allowed me time to heal. I might as well admit that he's a loss and resign myself to being in the care of the kindest, gentlest torturer who has ever performed in the Hidden Dungeon.

Curse it, no. He will not disgrace me like this. I'll see him dead first.

Day 19: Gave my darling torturer a small lecture yesterday about the duty of a torturer to his art. It seems to have done him good; he used the poker on me afterwards. I'm still able to write, which means he was too soft on me. I wish I could figure out how to reach him.

In the meantime, I can continue keeping this record, which I expect will be invaluable to future generations of the King's Torturers. This must be the first time in history that a prisoner has recorded his reactions while being tortured to death.
 

Available as an e-book (HTML, PDF, Kindle, ePub): Hidden.


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Cover for the 2013 edition of 'The Three Lands'


Koretia, Emor, and Daxis were all founded on the same day, but as the centuries have passed, the Three Lands of the Great Peninsula have become increasingly divided by religion, government, and culture. Koretians worship many gods, Daxions worship one goddess, and Emorians revere only their law. Emorians claim that Koretians are vicious and superstitious, Koretians think that Daxions are vile oath-breakers, and Daxions charge that Emorians abuse their children and slaves.

If a god were to appear in the Three Lands, would his appearance bring an end to the fighting between nations? Or would he merely help to spark an inferno of war?

As the inhabitants of the Three Lands struggle to adjust to the appearance of an unexpected visitor into the human world, two people will play crucial roles in the conflict. One is a young Emorian – clever, courageous, and affectionate – who will come to understand the Koretians with a depth and intimacy that few others of his land can match. The second person is a Koretian boy whom the Emorian will seek to destroy.

This 2013 edition of the omnibus is expanded to half a million words. It provides a bundled collection of three novels, two novellas, and a novelette in The Three Lands, a multicultural fantasy series on friendship, romance, and betrayal in times of war and peace.

This is a reissue of older stories.


Excerpt

"How will the Chara avoid becoming the Jackal's next victim?"

"The Chara hopes," said Peter with a smile, "that his subject Andrew will not be leading him into any more ambushes. But in any case, I won't be travelling as the Chara. It appears that the Jackal doesn't murder Emorian lords at random, so I should be safe if I don't call attention to myself, but instead journey to the governor's palace in the company of one or two other lords." He paused, searching my face. "I may take a few lesser free-men along as well."

I did not move my gaze from his, but my expression remained masked. "Are you asking me to come with you, Peter?"

His voice, when he replied, was gentle. "I wish that it were Peter who was asking. I would like to say that the only reason I am asking you is because I, Peter, would like my friend to be able to visit his childhood home. But the fact is that the Chara is requesting his servant to accompany him so that, with your special background, you can find me information that I may wish to use against the Koretian rebels and their Jackal. I need you to be a spy in your own land."

I still did not move, but now that the words were said, I felt my heart ease somewhat. "Thank you for putting that so clearly, Chara," I said softly, "but I have only one land, which is Emor, and only one master, which is you. When I gave my oath of loyalty to the Chara, I did not say that I would serve you only on condition that you not give me any hard tasks to do. If you need my help, then I will gladly come with you to Koretia."

He bowed his head to me, as though he were the servant and I the master.. . .
 

Available as an e-book (HTML and PDF): The Three Lands: an omnibus of fantasy novels set in the Great Peninsula. An earlier, shorter edition remains available in ePub and Kindle formats.


duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for Law of Vengeance

For over twenty years, Lord Carle has told the heir to the Emorian throne that vengeance is only the other side of mercy, and that disobedience and treachery should never be forgiven. Finally it seems that his message has been received. Which makes it all the more unfortunate that Carle should have chosen this moment to break the law.

As war threatens and the foundations of his life crumble, his only hope for rescue lies with a man who has every reason to hate Carle.


Excerpt

For many years, I have wished to make a memoir of my life to pass on to future generations of Emorians who desire to learn what it means to have complete dedication to the Chara and his law. This is not to be the memoir I intended, but I find the time passing slowly here in the Chara's dungeon, and I would rather spend my days thinking of what has happened than of what is to come. For in one month's time I will be taken before the Chara so that he may pass judgment on me. After that – for we Emorians move swiftly in these matters – I will be taken to the execution yard, and my head will be sliced off.

It is a gentler punishment, says the Chara, than I deserve.

He told me this last night when he came to see me. He stood at one end of the cell, leaning back against the wall with his arms folded, and wearing the cold smile I knew he had learned from me. His tunic-flap was pinned shut with his royal emblem brooch depicting the Balance of Judgment, the Heart of Mercy, and the Sword of Vengeance. He has worn the brooch nearly every day since I gave it to him when he was a boy, but I knew from his look that he had worn it this time in mockery.

Mockery is an activity in which he has had much practice since my arrest. He has commanded me to address him as Peter, since I was always reluctant to presume upon our friendship and address my ruler in so familiar a fashion. By the same token, he calls me Lord Carle, though I am no longer a council lord and will soon be nothing more than a court case that may interest future generations, since I am the first man in four hundred years to be charged with this particular crime.

The Chara Peter says I ought to be happy to die in such a manner, because I have never loved anything more than the law books. He is right that I love the law, just as I have always loved the embodiment of the law: the Chara, who keeps this land alive through his judgment of the Emorian people. But it was not until my arrest that I realized what I love as much as the Chara and his law: the man named Peter, who for the past twenty-two years has been to me the son I never had.



Available as an e-book (HTML, PDF, Kindle), with an online sample: Law of Vengeance.

duskpeterson: An apprentice builds a boat as a man looks on. (Default)
Cover for The Three Lands Omnibus

Koretia, Emor, and Daxis were all founded on the same day, but as the centuries have passed, the Three Lands of the Great Peninsula have become increasingly divided by religion, government, and culture. Koretians worship many gods, Daxions worship one goddess, and Emorians revere only their law. Emorians claim that Koretians are vicious and superstitious, Koretians think that Daxions are vile oath-breakers, and Daxions charge that Emorians abuse their children and slaves.

If a god were to appear in the Three Lands, would his appearance bring an end to the fighting between nations? Or would he merely help to spark an inferno of war?

As the inhabitants of the Three Lands struggle to adjust to the appearance of an unexpected visitor into the human world, two people will play crucial roles in the conflict. One is a young Emorian - clever, courageous, and affectionate - who will come to understand the Koretians with a depth and intimacy that few others of his land can match. The second person is a Koretian boy whom the Emorian will seek to destroy.

This omnibus contains all the current stories in The Three Lands, a fantasy series on friendship, romance, and betrayal in times of war and peace.

I had come to tell him, in the cheerful manner boys have, that our world was about to be destroyed.
duskpeterson: An apprentice builds a boat as a man looks on. (Default)
In 1965, Loren was initiated into the mysteries of leather by a motorcyclist passing through his isolated Midwestern town. Twenty years later, he is owner of the town's gay bar, which serves as a leather bar after hours. He is a master, trained to control and discipline men.

If only he could convince other leathermen of this fact. Having given up hope of ever finding someone who will submit to him, Loren is forced to content himself with secret fantasies. Then he meets the perfect man for his fantasies: handsome, uniformed, full of confidence and strength. But Loren doesn't realize that Ken holds secrets which will initiate them both into a new mystery. . . .

Leather life in a rural town is explored in this series, which looks back on an earlier era. In a time and place where being gay is reason enough to be arrested, the leathermen of Mayhill struggle to keep their small community alive.

Parental supervision is strongly suggested for this story.

From the back came a quiet voice. "The master makes the slave happy."
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Cover for Blood Vow

He has taken a blood vow to the Jackal God to bring freedom to his land by killing Koretia's greatest enemy. But what will he do when the enemy becomes his friend?

Thrust into exile and pain, young Andrew has no choice but to accept the friendship of the very person he had vowed to kill. When he returns with his friend to his homeland fifteen years later, though, he finds himself in a land of conflicting loyalties . . . where a vengeful god awaits him.

This novel is part of The Three Lands, a fantasy series set in a multicultural world where conflicts over law and spirituality provide opportunities for friendship and romance, and for betrayal.

I had come to tell him, in the cheerful manner boys have, that our world was about to be destroyed.

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