"I am not a historian. And even if I was I wouldn't know everything about every era. So generally, if I'm reading a story about 1800's Australia, or 1920's Ireland, or Tudor England, my default mode is that I'm a little on edge. This is because I want to like the book, and I trust the author not to jolt me with glaring anachronisms. If there are small mistakes I won't catch them – and if the book is good enough – such as Dash and Dingo was, I can forgive the odd gaffe. We all make mistakes – hell we are human. But if the book unravels as I'm reading it, and there's glaring nonsense heaped on 'omg she didn't' then I know I'm NOT in a safe pair of hands."
--Erastes: A Safe Pair of Hands.
"I suppose I don't see what's so wrong about getting the facts right. No-one complains when mystery writers use the correct poisons or the right ballistics, after all. I don't feel I'm being preached at when I read murder mysteries, and I enjoy learning about things I didn't know. Just because something is romance, historical romance, doesn't mean that it should automatically be allowed to warp the facts. 'Oh I know cocoa powder doesn't have the same effect as belladonna' said Agatha Christie, 'but it's fiction, so why does it matter?'"
--Erastes, in the comments section of the same article. The whole thread is worth reading, because other historical novelists and readers chime in with their thoughts.
( Background to my entries )
( Writing and Simplicity: Bunches of stats )
( Writing: Text-to-speech, braille, and my Muse )
( Writing and Simplicity: My writing schedule this month )
( Writing: The Muse swoops in and takes hostages )
( Writing: Prisons in the 1910s (Life Prison research) )
( Writing: One stick too many (e-publishing, print publishing, and 'Rebirth') )
( Writing: More from the prisons in the 1910s (Life Prison research) )
( Writing: First, let's kill the lawyers. Then the software manufacturers.) )
( Writing and simplicity: Internet addiction thoughts )
( Writing: Yet more interesting prison writings from the 1910s (Life Prison research) )
( Writing: Smashwords improvements planned; plus, Smashwords versus Lulu )
( Simplicity and Writing: Internet addiction and ePub creation )
( Simplicity and Writing: Another day of Internet addiction . . . but I'm ready to upload )
( Writing: Erastes on the history of gay historical fiction )
( Writing: How do I find a place within the m/m fiction community? )
--Erastes: A Safe Pair of Hands.
"I suppose I don't see what's so wrong about getting the facts right. No-one complains when mystery writers use the correct poisons or the right ballistics, after all. I don't feel I'm being preached at when I read murder mysteries, and I enjoy learning about things I didn't know. Just because something is romance, historical romance, doesn't mean that it should automatically be allowed to warp the facts. 'Oh I know cocoa powder doesn't have the same effect as belladonna' said Agatha Christie, 'but it's fiction, so why does it matter?'"
--Erastes, in the comments section of the same article. The whole thread is worth reading, because other historical novelists and readers chime in with their thoughts.
( Background to my entries )
( Writing and Simplicity: Bunches of stats )
( Writing: Text-to-speech, braille, and my Muse )
( Writing and Simplicity: My writing schedule this month )
( Writing: The Muse swoops in and takes hostages )
( Writing: Prisons in the 1910s (Life Prison research) )
( Writing: One stick too many (e-publishing, print publishing, and 'Rebirth') )
( Writing: More from the prisons in the 1910s (Life Prison research) )
( Writing: First, let's kill the lawyers. Then the software manufacturers.) )
( Writing and simplicity: Internet addiction thoughts )
( Writing: Yet more interesting prison writings from the 1910s (Life Prison research) )
( Writing: Smashwords improvements planned; plus, Smashwords versus Lulu )
( Simplicity and Writing: Internet addiction and ePub creation )
( Simplicity and Writing: Another day of Internet addiction . . . but I'm ready to upload )
( Writing: Erastes on the history of gay historical fiction )
( Writing: How do I find a place within the m/m fiction community? )
