"I write traditional fantasy, which means that I gravitate toward the noble, if flawed, hero. That doesn't mean that I don't like a little grit in my stories; quite the opposite in fact. It's just that if I have characters who are called to make sacrifices, I want to to believe there is something in the world that makes the sacrifice worthwhile, whether that be love or honor or the promise of an afterlife. I'm afraid that is often perceived as naiveté, especially considering the fantasy market's lean toward darker, sometimes nihilistic, themes over the last decade or two.
"Yet, I think even the most cynical among us will admit they look for the meaning in tragedy. When someone dies violently or at a young age, we want to believe that something good can come from the sorrow. We set up scholarship funds in the victim's name. We raise money for charity. We do things that in some way fill the hole in the world left by that loss.
"Similarly, I want to believe that the characters' suffering is for more than just their own vain ambitions or merely to illustrate a grim worldview. I want something that reminds me that deep down, no matter how bad things get, there is a purpose and a meaning to life. Fantasy is an excellent vehicle for showing the resilience of the spirit and the power of selfless love."
, as interviewed by Eileen Putnam in the May 2015 issue of Romance Writers Report
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